<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	
	xmlns:georss="http://www.georss.org/georss"
	xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#"
	>

<channel>
	<title>choreography Archives - arthereartnow.com</title>
	<atom:link href="https://arthereartnow.com/tag/choreography/feed/" rel="self" type="application/rss+xml" />
	<link>https://arthereartnow.com/tag/choreography/</link>
	<description>Art website - film, literature, music, theater, fine arts</description>
	<lastBuildDate>Thu, 06 Feb 2020 08:58:54 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.4.8</generator>
<site xmlns="com-wordpress:feed-additions:1">141696643</site>	<item>
		<title>There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</title>
		<link>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/</link>
					<comments>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 07:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[cliches]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[girlpower]]></category>
		<category><![CDATA[girls]]></category>
		<category><![CDATA[Israel]]></category>
		<category><![CDATA[Roy Assaf]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[stereotypes]]></category>
		<category><![CDATA[taboos]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2899</guid>

					<description><![CDATA[<p>I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year - Roy Assaf recalls.</p>
<p>The post <a href="https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/">There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2899</post-id>	</item>
		<item>
		<title>I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</title>
		<link>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/</link>
					<comments>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 22 Jan 2020 16:35:33 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Christos Papadopoulos]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Elvedon]]></category>
		<category><![CDATA[Greece]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Opus]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[The Art of Fugue]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2873</guid>

					<description><![CDATA[<p>There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. 'Opus', performed in the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/">I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2873</post-id>	</item>
		<item>
		<title>Exploring the idea of the collective between utopia and instrumentalization</title>
		<link>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/</link>
					<comments>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Tue, 29 Oct 2019 01:00:12 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Adrienn Hód]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[body image]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Coexist]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Hodworks]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Unusual Symptoms]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2753</guid>

					<description><![CDATA[<p>For "Coexist", Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/">Exploring the idea of the collective between utopia and instrumentalization</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2753</post-id>	</item>
		<item>
		<title>Electra is a murderer in my view &#8211; says choreographer János Feledi</title>
		<link>https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/</link>
					<comments>https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 15 Oct 2019 15:29:39 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Béla Bartók Concert Hall]]></category>
		<category><![CDATA[CAFe Budapest]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[Csaba Káel]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Electra]]></category>
		<category><![CDATA[Ernő Dohnányi Symphonic Orchestra Budafok]]></category>
		<category><![CDATA[Euripides]]></category>
		<category><![CDATA[Gábor Hollerung]]></category>
		<category><![CDATA[Greek mythology]]></category>
		<category><![CDATA[János Feledi]]></category>
		<category><![CDATA[László Sallai]]></category>
		<category><![CDATA[Mad Max]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[Orpheus]]></category>
		<category><![CDATA[revenge]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Roland Szentpáli]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2737</guid>

					<description><![CDATA[<p>Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/">Electra is a murderer in my view &#8211; says choreographer János Feledi</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2737</post-id>	</item>
		<item>
		<title>L-E-V: a heart dancing in living love</title>
		<link>https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/</link>
					<comments>https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 23 May 2019 15:10:51 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Gai Behar]]></category>
		<category><![CDATA[L-E-V]]></category>
		<category><![CDATA[L-E-V Dance Company]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[Sharon Eyal]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2308</guid>

					<description><![CDATA[<p>Love Chapter 2 is about that kind of love that is always lacking something. A show by L-E-V Dance Company on May 24 in the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/">L-E-V: a heart dancing in living love</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2308</post-id>	</item>
		<item>
		<title>Women and men on stage play roles, I went for the individual &#8211; interview with choreographer Andrea Mészöly</title>
		<link>https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/</link>
					<comments>https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 01 May 2018 13:00:08 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Andrea Mészöly]]></category>
		<category><![CDATA[Bazil Duliskovich]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Csaba Bruckner]]></category>
		<category><![CDATA[Csaba Mészáros]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[disabled]]></category>
		<category><![CDATA[Gergő Bényi]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[inclusion]]></category>
		<category><![CDATA[János Pilinszky]]></category>
		<category><![CDATA[László Kövesdi]]></category>
		<category><![CDATA[My house]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[Tamás Bakó]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Weedy]]></category>
		<category><![CDATA[Zoltán Nagy]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1573</guid>

					<description><![CDATA[<p>"I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time..." - Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.</p>
<p>The post <a href="https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/">Women and men on stage play roles, I went for the individual &#8211; interview with choreographer Andrea Mészöly</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1573</post-id>	</item>
	</channel>
</rss>
