<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	
	xmlns:georss="http://www.georss.org/georss"
	xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#"
	>

<channel>
	<title>Germany Archives - arthereartnow.com</title>
	<atom:link href="https://arthereartnow.com/tag/germany/feed/" rel="self" type="application/rss+xml" />
	<link>https://arthereartnow.com/tag/germany/</link>
	<description>Art website - film, literature, music, theater, fine arts</description>
	<lastBuildDate>Thu, 03 Dec 2020 16:01:00 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.4.8</generator>
<site xmlns="com-wordpress:feed-additions:1">141696643</site>	<item>
		<title>What can we learn from collective forgetting? &#8211; new essay performance by Oliver Zahn will happen online</title>
		<link>https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/</link>
					<comments>https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 03 Dec 2020 16:00:59 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[In Praise of Forgetting]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[Oliver Zahn]]></category>
		<category><![CDATA[online event]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3331</guid>

					<description><![CDATA[<p>I had also always wanted to make a desktop-based performance, and the pandemic suddenly made a space for such works - Oliver Zahn says.</p>
<p>The post <a href="https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/">What can we learn from collective forgetting? &#8211; new essay performance by Oliver Zahn will happen online</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3331</post-id>	</item>
		<item>
		<title>It&#8217;s easier to wait for Christmas with Bach&#8217;s music! &#8211; interview with conductor Marcus Creed</title>
		<link>https://arthereartnow.com/2019/12/14/bach-music-christmas-marcus-creed/</link>
					<comments>https://arthereartnow.com/2019/12/14/bach-music-christmas-marcus-creed/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sat, 14 Dec 2019 16:30:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[christmas]]></category>
		<category><![CDATA[conductor]]></category>
		<category><![CDATA[Dresden]]></category>
		<category><![CDATA[Dresdner Kammerchor]]></category>
		<category><![CDATA[early music]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[festivities]]></category>
		<category><![CDATA[Georg Friedrich Händel]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[holidays]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[Le Concert Lorrain]]></category>
		<category><![CDATA[Magnificat]]></category>
		<category><![CDATA[Marcus Creed]]></category>
		<category><![CDATA[Mass in B minor]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[RIAS Kammerchor]]></category>
		<category><![CDATA[SWR Vokalensemble]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2855</guid>

					<description><![CDATA[<p>A wonderful concert that features festive and Christmas-related works by Bach. Two ensembles, five soloists - and their conductor, Marcus Creed.</p>
<p>The post <a href="https://arthereartnow.com/2019/12/14/bach-music-christmas-marcus-creed/">It&#8217;s easier to wait for Christmas with Bach&#8217;s music! &#8211; interview with conductor Marcus Creed</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/12/14/bach-music-christmas-marcus-creed/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2855</post-id>	</item>
		<item>
		<title>Child actors evoke the story of a horrendous child killer on Trafó&#8217;s stage</title>
		<link>https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/</link>
					<comments>https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Thu, 24 Oct 2019 15:00:04 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[CAMPO]]></category>
		<category><![CDATA[child actor]]></category>
		<category><![CDATA[child killer]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[horrible]]></category>
		<category><![CDATA[IIPM]]></category>
		<category><![CDATA[Marc Dutroux]]></category>
		<category><![CDATA[Milo Rau]]></category>
		<category><![CDATA[murder]]></category>
		<category><![CDATA[Switzerland]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2747</guid>

					<description><![CDATA[<p>Rau uses the biography of the Belgium's most notoriously shameful criminal to reflect on (re)presentation of human feelings on stage.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/">Child actors evoke the story of a horrendous child killer on Trafó&#8217;s stage</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2747</post-id>	</item>
		<item>
		<title>Did the Nazis put their hand on our arm forever? &#8211; director Oliver Zahn on the art history of the outstreched arm</title>
		<link>https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/</link>
					<comments>https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Mon, 23 Sep 2019 13:00:46 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[arm]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[banned]]></category>
		<category><![CDATA[cultural history]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[essay performance]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[nazis]]></category>
		<category><![CDATA[Oliver Zahn]]></category>
		<category><![CDATA[outstreched arm]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Sara Tamburini]]></category>
		<category><![CDATA[SITUATION WITH OUTSTRECHED ARM]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2639</guid>

					<description><![CDATA[<p>The 'outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general - says Oliver Zahn.</p>
<p>The post <a href="https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/">Did the Nazis put their hand on our arm forever? &#8211; director Oliver Zahn on the art history of the outstreched arm</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2639</post-id>	</item>
		<item>
		<title>Shoot above the crowd, then before their feet, and then shoot in the crowd</title>
		<link>https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/</link>
					<comments>https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 12 Apr 2018 13:00:22 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[1968]]></category>
		<category><![CDATA[Boglárka Cziglényi]]></category>
		<category><![CDATA[Bulgaria]]></category>
		<category><![CDATA[Bulgarian]]></category>
		<category><![CDATA[Czech]]></category>
		<category><![CDATA[Czechoslovakia]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Hungarian]]></category>
		<category><![CDATA[hungary]]></category>
		<category><![CDATA[invasion]]></category>
		<category><![CDATA[occupation]]></category>
		<category><![CDATA[Occupation 1968]]></category>
		<category><![CDATA[Poland]]></category>
		<category><![CDATA[Polish]]></category>
		<category><![CDATA[Prague Spring]]></category>
		<category><![CDATA[remembrance]]></category>
		<category><![CDATA[Russian]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[Slovak]]></category>
		<category><![CDATA[soldiers]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1497</guid>

					<description><![CDATA[<p>The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.</p>
<p>The post <a href="https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/">Shoot above the crowd, then before their feet, and then shoot in the crowd</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1497</post-id>	</item>
		<item>
		<title>What&#8217;s the difference between refugees of WWII and today?</title>
		<link>https://arthereartnow.com/2018/02/27/this-is-europe-not-an-eldorado/</link>
					<comments>https://arthereartnow.com/2018/02/27/this-is-europe-not-an-eldorado/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 27 Feb 2018 13:00:39 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[berlinale]]></category>
		<category><![CDATA[berlinale 2018]]></category>
		<category><![CDATA[Eldorado]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Katalin Ferber]]></category>
		<category><![CDATA[Markus Imhoof]]></category>
		<category><![CDATA[migrants]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[second world war]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1429</guid>

					<description><![CDATA[<p>Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?</p>
<p>The post <a href="https://arthereartnow.com/2018/02/27/this-is-europe-not-an-eldorado/">What&#8217;s the difference between refugees of WWII and today?</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
					<wfw:commentRss>https://arthereartnow.com/2018/02/27/this-is-europe-not-an-eldorado/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1429</post-id>	</item>
	</channel>
</rss>
