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	<title>Miskolc Symphonic Orchestra Archives - arthereartnow.com</title>
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		<title>Anton Gerzenberg: Rachmaninoff, Liszt and Dohnányi fit well together</title>
		<link>https://arthereartnow.com/2023/01/14/anton-gerzenberg-interview-mupa-concert-rachmaninoff-liszt-dohnanyi/</link>
					<comments>https://arthereartnow.com/2023/01/14/anton-gerzenberg-interview-mupa-concert-rachmaninoff-liszt-dohnanyi/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sat, 14 Jan 2023 06:00:44 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Anton Grenzenberg]]></category>
		<category><![CDATA[Levente Török]]></category>
		<category><![CDATA[Miskolc Symphonic Orchestra]]></category>
		<category><![CDATA[Müpa]]></category>
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					<description><![CDATA[<p>Rachmaninoff's music is close to me, which mostly comes from my family - says pianist Anton Gerzenberg before his Budapest concert.</p>
<p>The post <a href="https://arthereartnow.com/2023/01/14/anton-gerzenberg-interview-mupa-concert-rachmaninoff-liszt-dohnanyi/">Anton Gerzenberg: Rachmaninoff, Liszt and Dohnányi fit well together</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">4562</post-id>	</item>
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		<title>The magical number 75 and the meeting of generations in classical music</title>
		<link>https://arthereartnow.com/2020/09/21/matyas-antal-concert-discoveries-miskolc-symphonic-orchestra-szokolay-wagner/</link>
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		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sun, 20 Sep 2020 23:03:47 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Ádám Szokolay]]></category>
		<category><![CDATA[Anna Rácz]]></category>
		<category><![CDATA[Dominik Wagner]]></category>
		<category><![CDATA[Mátyás Antal]]></category>
		<category><![CDATA[Miskolc Symphonic Orchestra]]></category>
		<category><![CDATA[Müpa]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3183</guid>

					<description><![CDATA[<p>According to some theories, the number 75 is an angelic combination, a reference of how something will change for us...</p>
<p>The post <a href="https://arthereartnow.com/2020/09/21/matyas-antal-concert-discoveries-miskolc-symphonic-orchestra-szokolay-wagner/">The magical number 75 and the meeting of generations in classical music</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3183</post-id>	</item>
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		<title>Why do musicians fear Rachmaninoff’s Piano Concerto No. 3?</title>
		<link>https://arthereartnow.com/2019/04/26/why-do-musicians-fear-rachmaninoffs-piano-concerto-no-3/</link>
					<comments>https://arthereartnow.com/2019/04/26/why-do-musicians-fear-rachmaninoffs-piano-concerto-no-3/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 26 Apr 2019 13:00:43 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Ádám Brandenburg]]></category>
		<category><![CDATA[Ádám Cser]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[Martín García García]]></category>
		<category><![CDATA[Miskolc Symphonic Orchestra]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[piano concerto]]></category>
		<category><![CDATA[piano concerto no. 3]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Sergei Rachmaninoff]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2186</guid>

					<description><![CDATA[<p>"Rachmaninoff composed this peace to do whatever he wanted with the instrument he dominated. It was a demonstration of possibilities."</p>
<p>The post <a href="https://arthereartnow.com/2019/04/26/why-do-musicians-fear-rachmaninoffs-piano-concerto-no-3/">Why do musicians fear Rachmaninoff’s Piano Concerto No. 3?</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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