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	<title>dance Archives - arthereartnow.com</title>
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		<title>Seven videos you must watch from Müpa&#8217;s archives!</title>
		<link>https://arthereartnow.com/2020/04/01/seven-videos-mupa-covid19-pandemic-quarantine-fun/</link>
					<comments>https://arthereartnow.com/2020/04/01/seven-videos-mupa-covid19-pandemic-quarantine-fun/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 01 Apr 2020 13:34:30 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Music]]></category>
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		<category><![CDATA[Ádám Fischer]]></category>
		<category><![CDATA[Anna Rácz]]></category>
		<category><![CDATA[archive]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Bojtorján]]></category>
		<category><![CDATA[chanson]]></category>
		<category><![CDATA[Complesso Barocco]]></category>
		<category><![CDATA[coronavirus]]></category>
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		<category><![CDATA[dance]]></category>
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		<category><![CDATA[György Dalos]]></category>
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		<category><![CDATA[Ingo Schulze]]></category>
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		<category><![CDATA[Kornél Horváth]]></category>
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		<category><![CDATA[MÁV Symphonic Orchestra]]></category>
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		<category><![CDATA[opera]]></category>
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		<category><![CDATA[Péter Esterházy]]></category>
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		<category><![CDATA[Réka Pelsőczy]]></category>
		<category><![CDATA[stayathome]]></category>
		<category><![CDATA[Swan Lake]]></category>
		<category><![CDATA[Szeged Contemporary Dance Company]]></category>
		<category><![CDATA[Take 6]]></category>
		<category><![CDATA[Tamás Juronics]]></category>
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		<category><![CDATA[Zsolt Máthé]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2937</guid>

					<description><![CDATA[<p>Bored with the quarantine already? Here are videos of great music, dance, literature and fun to cheer you up. Enjoy!</p>
<p>The post <a href="https://arthereartnow.com/2020/04/01/seven-videos-mupa-covid19-pandemic-quarantine-fun/">Seven videos you must watch from Müpa&#8217;s archives!</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2937</post-id>	</item>
		<item>
		<title>There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</title>
		<link>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/</link>
					<comments>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 07:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[cliches]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[girlpower]]></category>
		<category><![CDATA[girls]]></category>
		<category><![CDATA[Israel]]></category>
		<category><![CDATA[Roy Assaf]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[stereotypes]]></category>
		<category><![CDATA[taboos]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2899</guid>

					<description><![CDATA[<p>I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year - Roy Assaf recalls.</p>
<p>The post <a href="https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/">There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2899</post-id>	</item>
		<item>
		<title>I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</title>
		<link>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/</link>
					<comments>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 22 Jan 2020 16:35:33 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Christos Papadopoulos]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Elvedon]]></category>
		<category><![CDATA[Greece]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Opus]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[The Art of Fugue]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2873</guid>

					<description><![CDATA[<p>There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. 'Opus', performed in the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/">I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2873</post-id>	</item>
		<item>
		<title>Silence in the place of sound &#8211; but what in the place of silence? Remembering Dezső Tandori</title>
		<link>https://arthereartnow.com/2019/11/18/silence-in-the-place-of-sound-but-what-in-the-place-of-silence-remembering-dezso-tandori/</link>
					<comments>https://arthereartnow.com/2019/11/18/silence-in-the-place-of-sound-but-what-in-the-place-of-silence-remembering-dezso-tandori/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Mon, 18 Nov 2019 17:32:17 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Anna Rácz]]></category>
		<category><![CDATA[bears]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Dezső Tandori]]></category>
		<category><![CDATA[evening]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[Hungarian]]></category>
		<category><![CDATA[hungary]]></category>
		<category><![CDATA[Lajos Jánossy]]></category>
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		<category><![CDATA[memory]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poems]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[remembrance]]></category>
		<category><![CDATA[sparrows]]></category>
		<category><![CDATA[Triumph in Defeat]]></category>
		<category><![CDATA[universe]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2813</guid>

					<description><![CDATA[<p>He created an own universe, went on his own path, and after his poetry arrived to collective consciousness, no one could think the same old ways anymore.</p>
<p>The post <a href="https://arthereartnow.com/2019/11/18/silence-in-the-place-of-sound-but-what-in-the-place-of-silence-remembering-dezso-tandori/">Silence in the place of sound &#8211; but what in the place of silence? Remembering Dezső Tandori</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2813</post-id>	</item>
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		<title>Exploring the idea of the collective between utopia and instrumentalization</title>
		<link>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/</link>
					<comments>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Tue, 29 Oct 2019 01:00:12 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Adrienn Hód]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[body image]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Coexist]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Hodworks]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Unusual Symptoms]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2753</guid>

					<description><![CDATA[<p>For "Coexist", Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/">Exploring the idea of the collective between utopia and instrumentalization</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2753</post-id>	</item>
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		<title>Electra is a murderer in my view &#8211; says choreographer János Feledi</title>
		<link>https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/</link>
					<comments>https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 15 Oct 2019 15:29:39 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Béla Bartók Concert Hall]]></category>
		<category><![CDATA[CAFe Budapest]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[Csaba Káel]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Electra]]></category>
		<category><![CDATA[Ernő Dohnányi Symphonic Orchestra Budafok]]></category>
		<category><![CDATA[Euripides]]></category>
		<category><![CDATA[Gábor Hollerung]]></category>
		<category><![CDATA[Greek mythology]]></category>
		<category><![CDATA[János Feledi]]></category>
		<category><![CDATA[László Sallai]]></category>
		<category><![CDATA[Mad Max]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[Orpheus]]></category>
		<category><![CDATA[revenge]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Roland Szentpáli]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2737</guid>

					<description><![CDATA[<p>Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/15/electra-is-a-murderer-in-my-view-says-choreographer-janos-feledi/">Electra is a murderer in my view &#8211; says choreographer János Feledi</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2737</post-id>	</item>
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		<title>Ryoko Aoki interview: Japanese lady found alternative ways that led to Hungarian composer</title>
		<link>https://arthereartnow.com/2019/09/10/japanese-ladys-alternative-ways-led-to-hungarian-composer-interview-with-ryoko-aoki/</link>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 10 Sep 2019 16:22:08 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[concert]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[female artist]]></category>
		<category><![CDATA[Harakiri]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[Noh]]></category>
		<category><![CDATA[Péter Eötvös]]></category>
		<category><![CDATA[Ryoko Aoki]]></category>
		<category><![CDATA[Secret Kiss]]></category>
		<category><![CDATA[singer]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[traditions]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2593</guid>

					<description><![CDATA[<p>Peter Eötvös knew that I am Noh singer: he said “Please sing my piece Harakiri”. Ryoko Aoki remembers how the collaboration started.</p>
<p>The post <a href="https://arthereartnow.com/2019/09/10/japanese-ladys-alternative-ways-led-to-hungarian-composer-interview-with-ryoko-aoki/">Ryoko Aoki interview: Japanese lady found alternative ways that led to Hungarian composer</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2593</post-id>	</item>
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		<title>These three films can profoundly change audience’s view on dance &#8211; interview with Gábor Pintér</title>
		<link>https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/</link>
					<comments>https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 17 Apr 2019 13:00:15 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Gábor Pintér]]></category>
		<category><![CDATA[modern dance]]></category>
		<category><![CDATA[Parallel Art Foundation]]></category>
		<category><![CDATA[postmodern dance]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[What is Dance?]]></category>
		<category><![CDATA[Zsolt Várkonyi]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2174</guid>

					<description><![CDATA[<p>They liberated dancers from following the rhythm, the tonality, or the structure of music; everything exists on its own in the same space and time.</p>
<p>The post <a href="https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/">These three films can profoundly change audience’s view on dance &#8211; interview with Gábor Pintér</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2174</post-id>	</item>
		<item>
		<title>Stars of talent shows who won much more than fame</title>
		<link>https://arthereartnow.com/2018/11/18/stars-of-talent-shows-who-won-much-more-than-fame/</link>
					<comments>https://arthereartnow.com/2018/11/18/stars-of-talent-shows-who-won-much-more-than-fame/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sun, 18 Nov 2018 13:00:28 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[Bissau-Guinea]]></category>
		<category><![CDATA[Cape Verde]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Djeneba & Fousco]]></category>
		<category><![CDATA[Djeneba Kouyate]]></category>
		<category><![CDATA[duet]]></category>
		<category><![CDATA[Fousseyni Sissoko]]></category>
		<category><![CDATA[griot]]></category>
		<category><![CDATA[Mali]]></category>
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		<category><![CDATA[Nancy Vieira]]></category>
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		<category><![CDATA[world music]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1808</guid>

					<description><![CDATA[<p>After years of hard work, practice, success in closer circles, many musicians really deserve national recognition and money. And there are some people who win even more in a talent show… Just like these three musicians.</p>
<p>The post <a href="https://arthereartnow.com/2018/11/18/stars-of-talent-shows-who-won-much-more-than-fame/">Stars of talent shows who won much more than fame</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1808</post-id>	</item>
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		<title>How to hold the fan if you want to express your love?</title>
		<link>https://arthereartnow.com/2018/09/26/the-other-side-of-the-fan-or-what-did-i-get-from-partner-dance/</link>
					<comments>https://arthereartnow.com/2018/09/26/the-other-side-of-the-fan-or-what-did-i-get-from-partner-dance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 26 Sep 2018 13:00:54 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[balls]]></category>
		<category><![CDATA[Classical Chill Out]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Pannon Filharmonikusok]]></category>
		<category><![CDATA[partner dance]]></category>
		<category><![CDATA[PFZ]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1727</guid>

					<description><![CDATA[<p>Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?</p>
<p>The post <a href="https://arthereartnow.com/2018/09/26/the-other-side-of-the-fan-or-what-did-i-get-from-partner-dance/">How to hold the fan if you want to express your love?</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1727</post-id>	</item>
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		<title>Some little miracles in life that I got from dance</title>
		<link>https://arthereartnow.com/2018/09/22/some-little-miracles-in-life-that-and-whom-i-got-from-dance/</link>
					<comments>https://arthereartnow.com/2018/09/22/some-little-miracles-in-life-that-and-whom-i-got-from-dance/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sat, 22 Sep 2018 13:00:52 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[ballett]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[folk dance]]></category>
		<category><![CDATA[latin dance]]></category>
		<category><![CDATA[NoBabel]]></category>
		<category><![CDATA[Pannon Filharmonikusok]]></category>
		<category><![CDATA[partner dance]]></category>
		<category><![CDATA[PFZ]]></category>
		<category><![CDATA[tap dance]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1721</guid>

					<description><![CDATA[<p>Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.</p>
<p>The post <a href="https://arthereartnow.com/2018/09/22/some-little-miracles-in-life-that-and-whom-i-got-from-dance/">Some little miracles in life that I got from dance</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1721</post-id>	</item>
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		<title>Human voice is the most wonderful prop for dance – choreographer Maurice Béjart’s thoughts on The Magic Flute</title>
		<link>https://arthereartnow.com/2018/07/10/human-voice-is-the-most-wonderful-prop-for-dance-choreographer-maurice-bejarts-thoughts-on-the-magic-flute/</link>
					<comments>https://arthereartnow.com/2018/07/10/human-voice-is-the-most-wonderful-prop-for-dance-choreographer-maurice-bejarts-thoughts-on-the-magic-flute/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 10 Jul 2018 13:00:56 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[ballett]]></category>
		<category><![CDATA[Béjart Ballet Lausanne]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Maurice Béjart]]></category>
		<category><![CDATA[Müpa]]></category>
		<category><![CDATA[Philharmonic Orchestra of Berlin]]></category>
		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[Wolfgang Amadeus Mozart]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1660</guid>

					<description><![CDATA[<p>"I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate..." Maurice Béjart on staging The Magic Flute.</p>
<p>The post <a href="https://arthereartnow.com/2018/07/10/human-voice-is-the-most-wonderful-prop-for-dance-choreographer-maurice-bejarts-thoughts-on-the-magic-flute/">Human voice is the most wonderful prop for dance – choreographer Maurice Béjart’s thoughts on The Magic Flute</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1660</post-id>	</item>
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		<title>Women and men on stage play roles, I went for the individual &#8211; interview with choreographer Andrea Mészöly</title>
		<link>https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/</link>
					<comments>https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 01 May 2018 13:00:08 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Andrea Mészöly]]></category>
		<category><![CDATA[Bazil Duliskovich]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Csaba Bruckner]]></category>
		<category><![CDATA[Csaba Mészáros]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[disabled]]></category>
		<category><![CDATA[Gergő Bényi]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[inclusion]]></category>
		<category><![CDATA[János Pilinszky]]></category>
		<category><![CDATA[László Kövesdi]]></category>
		<category><![CDATA[My house]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[Tamás Bakó]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Weedy]]></category>
		<category><![CDATA[Zoltán Nagy]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1573</guid>

					<description><![CDATA[<p>"I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time..." - Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.</p>
<p>The post <a href="https://arthereartnow.com/2018/05/01/having-women-and-men-on-stage-already-creates-roles-an-interview-with-choreographer-andrea-meszoly/">Women and men on stage play roles, I went for the individual &#8211; interview with choreographer Andrea Mészöly</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1573</post-id>	</item>
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		<title>Scientific, Fantastic Dance</title>
		<link>https://arthereartnow.com/2018/04/25/scientific-fantastic-dance/</link>
					<comments>https://arthereartnow.com/2018/04/25/scientific-fantastic-dance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 13:00:51 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[BSF Magazine]]></category>
		<category><![CDATA[Budapest Spring Festival]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[genetics]]></category>
		<category><![CDATA[genome]]></category>
		<category><![CDATA[Tamás Jászay]]></category>
		<category><![CDATA[Wayne McGregor]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1542</guid>

					<description><![CDATA[<p>In his Autobiography, Wayne McGregor gives a synthesis of everything that he knows, thinks, and feels about dance and humankind. And of what he has discovered, this time through his own genome.</p>
<p>The post <a href="https://arthereartnow.com/2018/04/25/scientific-fantastic-dance/">Scientific, Fantastic Dance</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1542</post-id>	</item>
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		<title>I will wait for you &#8211; Arno Schuitemaker&#8217;s dance performances</title>
		<link>https://arthereartnow.com/2018/01/24/i-will-wait-for-you-arno-schuitemakers-dance-performances/</link>
					<comments>https://arthereartnow.com/2018/01/24/i-will-wait-for-you-arno-schuitemakers-dance-performances/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Wed, 24 Jan 2018 11:37:51 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Arno Schuitemaker]]></category>
		<category><![CDATA[dance]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1168</guid>

					<description><![CDATA[<p>To create his most personal work to date, Arno Schuitemaker took the elusive nature of love as his source of inspiration.</p>
<p>The post <a href="https://arthereartnow.com/2018/01/24/i-will-wait-for-you-arno-schuitemakers-dance-performances/">I will wait for you &#8211; Arno Schuitemaker&#8217;s dance performances</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1168</post-id>	</item>
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