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	<title>documentary Archives - arthereartnow.com</title>
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		<title>Eating Our Way to Extinction: “I’m a Vegetarian and Pigs Are People Too”</title>
		<link>https://arthereartnow.com/2022/09/01/eating-our-way-to-extinction-im-a-vegetarian-and-pigs-are-people-too/</link>
					<comments>https://arthereartnow.com/2022/09/01/eating-our-way-to-extinction-im-a-vegetarian-and-pigs-are-people-too/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 01 Sep 2022 22:54:34 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Dora Endre]]></category>
		<category><![CDATA[Eating Our Way to Extinction]]></category>
		<category><![CDATA[environment]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=4354</guid>

					<description><![CDATA[<p>Eating Our Way to Extinction uses intriguing examples, well-grounded information and experiments much with genre and form.</p>
<p>The post <a href="https://arthereartnow.com/2022/09/01/eating-our-way-to-extinction-im-a-vegetarian-and-pigs-are-people-too/">Eating Our Way to Extinction: “I’m a Vegetarian and Pigs Are People Too”</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">4354</post-id>	</item>
		<item>
		<title>I realized I could play God, and it freaked the hell out of me</title>
		<link>https://arthereartnow.com/2019/05/31/i-realized-i-could-play-god-and-it-freaked-the-hell-out-of-me/</link>
					<comments>https://arthereartnow.com/2019/05/31/i-realized-i-could-play-god-and-it-freaked-the-hell-out-of-me/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 31 May 2019 13:00:29 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[David Kellman]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Eddy Galland]]></category>
		<category><![CDATA[essay]]></category>
		<category><![CDATA[ethics]]></category>
		<category><![CDATA[identical triplets]]></category>
		<category><![CDATA[identical twins]]></category>
		<category><![CDATA[Mozinet]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[Robert Shafran]]></category>
		<category><![CDATA[thoughts]]></category>
		<category><![CDATA[Three Identical Strangers]]></category>
		<category><![CDATA[Tim Wardle]]></category>
		<category><![CDATA[triplets]]></category>
		<category><![CDATA[twins]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2390</guid>

					<description><![CDATA[<p>The parents didn’t understand what is happening to their sons. Then one day, when the boys were almost twenty already, truth came to light...</p>
<p>The post <a href="https://arthereartnow.com/2019/05/31/i-realized-i-could-play-god-and-it-freaked-the-hell-out-of-me/">I realized I could play God, and it freaked the hell out of me</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2390</post-id>	</item>
		<item>
		<title>The triplets who were 19 when they first met &#8211; interview with docu-director Tim Wardle</title>
		<link>https://arthereartnow.com/2019/05/17/the-triplets-who-were-19-when-they-first-met-interview-with-docu-director-tim-wardle/</link>
					<comments>https://arthereartnow.com/2019/05/17/the-triplets-who-were-19-when-they-first-met-interview-with-docu-director-tim-wardle/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 17 May 2019 13:00:14 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[David Kellman]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Eddy Galland]]></category>
		<category><![CDATA[identical triplets]]></category>
		<category><![CDATA[identical twins]]></category>
		<category><![CDATA[Mozinet]]></category>
		<category><![CDATA[pre-premiere]]></category>
		<category><![CDATA[premiere]]></category>
		<category><![CDATA[Robert Shafran]]></category>
		<category><![CDATA[Three Identical Strangers]]></category>
		<category><![CDATA[Tim Wardle]]></category>
		<category><![CDATA[triplets]]></category>
		<category><![CDATA[twins]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2263</guid>

					<description><![CDATA[<p>"When I showed them the finished film for the first time, and they loved it, there was the sense that I had delivered on my promise and that was great."</p>
<p>The post <a href="https://arthereartnow.com/2019/05/17/the-triplets-who-were-19-when-they-first-met-interview-with-docu-director-tim-wardle/">The triplets who were 19 when they first met &#8211; interview with docu-director Tim Wardle</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2263</post-id>	</item>
		<item>
		<title>These three films can profoundly change audience’s view on dance &#8211; interview with Gábor Pintér</title>
		<link>https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/</link>
					<comments>https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 17 Apr 2019 13:00:15 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Gábor Pintér]]></category>
		<category><![CDATA[modern dance]]></category>
		<category><![CDATA[Parallel Art Foundation]]></category>
		<category><![CDATA[postmodern dance]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[What is Dance?]]></category>
		<category><![CDATA[Zsolt Várkonyi]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2174</guid>

					<description><![CDATA[<p>They liberated dancers from following the rhythm, the tonality, or the structure of music; everything exists on its own in the same space and time.</p>
<p>The post <a href="https://arthereartnow.com/2019/04/17/these-three-films-can-profoundly-change-audiences-view-on-dance-interview-with-gabor-pinter/">These three films can profoundly change audience’s view on dance &#8211; interview with Gábor Pintér</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2174</post-id>	</item>
		<item>
		<title>They forgot that Hitler and Eichmann were also Austrians</title>
		<link>https://arthereartnow.com/2019/03/08/waldheim-they-forgot-that-hitler-and-eichmann-were-also-austrians/</link>
					<comments>https://arthereartnow.com/2019/03/08/waldheim-they-forgot-that-hitler-and-eichmann-were-also-austrians/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 08 Mar 2019 13:00:02 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[András Dési]]></category>
		<category><![CDATA[antisemitism]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Enikő Nagy]]></category>
		<category><![CDATA[Kurt Waldheim]]></category>
		<category><![CDATA[nazis]]></category>
		<category><![CDATA[Ruth Beckermann]]></category>
		<category><![CDATA[second world war]]></category>
		<category><![CDATA[The Waldheim Waltz]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1945</guid>

					<description><![CDATA[<p>After Waldheim was elected, big discussions started. Nowadays, nobody would call Austria a victim of the war. The history books changed.</p>
<p>The post <a href="https://arthereartnow.com/2019/03/08/waldheim-they-forgot-that-hitler-and-eichmann-were-also-austrians/">They forgot that Hitler and Eichmann were also Austrians</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1945</post-id>	</item>
		<item>
		<title>Seven-year-old Nina cried when she found out she was Serbian and not Croatian</title>
		<link>https://arthereartnow.com/2018/11/16/srbenka-seven-year-old-nina-cried-when-she-found-out-shes-serbian-and-not-croatian/</link>
					<comments>https://arthereartnow.com/2018/11/16/srbenka-seven-year-old-nina-cried-when-she-found-out-shes-serbian-and-not-croatian/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 16 Nov 2018 18:00:45 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Balkan Wars]]></category>
		<category><![CDATA[counter-narrative]]></category>
		<category><![CDATA[Croatia]]></category>
		<category><![CDATA[Croatian film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[dominant narrative]]></category>
		<category><![CDATA[Enikő Nagy]]></category>
		<category><![CDATA[ethnicity]]></category>
		<category><![CDATA[minority]]></category>
		<category><![CDATA[national identity]]></category>
		<category><![CDATA[nationality]]></category>
		<category><![CDATA[Nebojša Slijepčević]]></category>
		<category><![CDATA[Oliver Frljić]]></category>
		<category><![CDATA[Serbia]]></category>
		<category><![CDATA[Srbenka]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1791</guid>

					<description><![CDATA[<p>The Croatian movie Srbenka received The Human Rights Film Award of the Verzió 15 International Human Rights Film Festival in Budapest. We interviewed the director Nebojša Slijepčević.</p>
<p>The post <a href="https://arthereartnow.com/2018/11/16/srbenka-seven-year-old-nina-cried-when-she-found-out-shes-serbian-and-not-croatian/">Seven-year-old Nina cried when she found out she was Serbian and not Croatian</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1791</post-id>	</item>
		<item>
		<title>We strive for a life with six hours of work per four days a week</title>
		<link>https://arthereartnow.com/2018/11/10/the-limits-of-work-we-strive-for-a-life-with-six-hours-of-work-per-four-days-a-week/</link>
					<comments>https://arthereartnow.com/2018/11/10/the-limits-of-work-we-strive-for-a-life-with-six-hours-of-work-per-four-days-a-week/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sat, 10 Nov 2018 13:00:51 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Apolea Rychlíková]]></category>
		<category><![CDATA[Czech]]></category>
		<category><![CDATA[Czech Republic]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Enikő Nagy]]></category>
		<category><![CDATA[hidden camera]]></category>
		<category><![CDATA[Labour: Our Life]]></category>
		<category><![CDATA[Saša Uhlová]]></category>
		<category><![CDATA[The Limits of Work]]></category>
		<category><![CDATA[verzió 15]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1768</guid>

					<description><![CDATA[<p>In The Limits of Work, journalist Saša Uhlová used hidden camera to find out some of the ugly truths of work.</p>
<p>The post <a href="https://arthereartnow.com/2018/11/10/the-limits-of-work-we-strive-for-a-life-with-six-hours-of-work-per-four-days-a-week/">We strive for a life with six hours of work per four days a week</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1768</post-id>	</item>
		<item>
		<title>Shoot above the crowd, then before their feet, and then shoot in the crowd</title>
		<link>https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/</link>
					<comments>https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 12 Apr 2018 13:00:22 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[1968]]></category>
		<category><![CDATA[Boglárka Cziglényi]]></category>
		<category><![CDATA[Bulgaria]]></category>
		<category><![CDATA[Bulgarian]]></category>
		<category><![CDATA[Czech]]></category>
		<category><![CDATA[Czechoslovakia]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Hungarian]]></category>
		<category><![CDATA[hungary]]></category>
		<category><![CDATA[invasion]]></category>
		<category><![CDATA[occupation]]></category>
		<category><![CDATA[Occupation 1968]]></category>
		<category><![CDATA[Poland]]></category>
		<category><![CDATA[Polish]]></category>
		<category><![CDATA[Prague Spring]]></category>
		<category><![CDATA[remembrance]]></category>
		<category><![CDATA[Russian]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[Slovak]]></category>
		<category><![CDATA[soldiers]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=1497</guid>

					<description><![CDATA[<p>The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.</p>
<p>The post <a href="https://arthereartnow.com/2018/04/12/shoot-above-the-crowd-then-before-their-feet-and-then-shoot-in-the-crowd/">Shoot above the crowd, then before their feet, and then shoot in the crowd</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1497</post-id>	</item>
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