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	<title>Trafó Archives - arthereartnow.com</title>
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		<title>Arno Schuitemaker &#8211; if you could see me now&#8230; and now&#8230; and now&#8230;</title>
		<link>https://arthereartnow.com/2021/09/22/arno-schuitemaker-if-you-could-see-me-now-trafo-dance/</link>
					<comments>https://arthereartnow.com/2021/09/22/arno-schuitemaker-if-you-could-see-me-now-trafo-dance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 22 Sep 2021 07:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Arno Schuitemaker]]></category>
		<category><![CDATA[If You Could See Me Now]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3693</guid>

					<description><![CDATA[<p>Arno Schuitemaker is originally an aeronautical engineer, which makes his choreographies to be always led by rationality.</p>
<p>The post <a href="https://arthereartnow.com/2021/09/22/arno-schuitemaker-if-you-could-see-me-now-trafo-dance/">Arno Schuitemaker &#8211; if you could see me now&#8230; and now&#8230; and now&#8230;</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3693</post-id>	</item>
		<item>
		<title>Cédric Eeckhout&#8217;s message to Hungarian PM &#8211; what is to be half Flemish, half Walloon?</title>
		<link>https://arthereartnow.com/2021/08/28/cedric-eeckhout-quest-trafo-show-europe-belgium-brussels-budapest-lgbt/</link>
					<comments>https://arthereartnow.com/2021/08/28/cedric-eeckhout-quest-trafo-show-europe-belgium-brussels-budapest-lgbt/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sat, 28 Aug 2021 10:44:55 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Cédric Eeckhout]]></category>
		<category><![CDATA[The Quest]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3667</guid>

					<description><![CDATA[<p>I realised more and more how my personal feelings and life events are connected to European politics and international relations.</p>
<p>The post <a href="https://arthereartnow.com/2021/08/28/cedric-eeckhout-quest-trafo-show-europe-belgium-brussels-budapest-lgbt/">Cédric Eeckhout&#8217;s message to Hungarian PM &#8211; what is to be half Flemish, half Walloon?</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3667</post-id>	</item>
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		<title>The man who put on an online-purchased female body</title>
		<link>https://arthereartnow.com/2021/03/03/simon-senn-show-arielle-virtual-reality-trafo-online-broadcast-covid/</link>
					<comments>https://arthereartnow.com/2021/03/03/simon-senn-show-arielle-virtual-reality-trafo-online-broadcast-covid/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 03 Mar 2021 07:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Be Arielle F]]></category>
		<category><![CDATA[online event]]></category>
		<category><![CDATA[Simon Senn]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3453</guid>

					<description><![CDATA[<p>Did you know that there are websites that sell 3D replicas of real people’s bodies and faces...? An online show provided by the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2021/03/03/simon-senn-show-arielle-virtual-reality-trafo-online-broadcast-covid/">The man who put on an online-purchased female body</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3453</post-id>	</item>
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		<title>What can we learn from collective forgetting? &#8211; new essay performance by Oliver Zahn will happen online</title>
		<link>https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/</link>
					<comments>https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 03 Dec 2020 16:00:59 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[In Praise of Forgetting]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[Oliver Zahn]]></category>
		<category><![CDATA[online event]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3331</guid>

					<description><![CDATA[<p>I had also always wanted to make a desktop-based performance, and the pandemic suddenly made a space for such works - Oliver Zahn says.</p>
<p>The post <a href="https://arthereartnow.com/2020/12/03/oliver-zahn-in-praise-of-forgetting-online-show-covid-trafo/">What can we learn from collective forgetting? &#8211; new essay performance by Oliver Zahn will happen online</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3331</post-id>	</item>
		<item>
		<title>How to turn a car accident into a theatre performance? &#8211; interview with Franck Vigroux</title>
		<link>https://arthereartnow.com/2020/10/18/franck-vigroux-trafo-flesh-performance-car-accident/</link>
					<comments>https://arthereartnow.com/2020/10/18/franck-vigroux-trafo-flesh-performance-car-accident/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Sun, 18 Oct 2020 19:32:25 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[car accident]]></category>
		<category><![CDATA[Flesh]]></category>
		<category><![CDATA[Franck Vigroux]]></category>
		<category><![CDATA[J.G. Ballard]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3263</guid>

					<description><![CDATA[<p>My music might be unusual, but Flesh still has similar elements to a traditional opera - says composer-director Franck Vigroux.</p>
<p>The post <a href="https://arthereartnow.com/2020/10/18/franck-vigroux-trafo-flesh-performance-car-accident/">How to turn a car accident into a theatre performance? &#8211; interview with Franck Vigroux</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3263</post-id>	</item>
		<item>
		<title>Hungary Live Talks &#8211; here you can watch the video!</title>
		<link>https://arthereartnow.com/2020/05/05/hungary-live-talks-here-you-can-watch-the-video/</link>
					<comments>https://arthereartnow.com/2020/05/05/hungary-live-talks-here-you-can-watch-the-video/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Tue, 05 May 2020 18:15:20 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Beáta Barda]]></category>
		<category><![CDATA[Christina Liata]]></category>
		<category><![CDATA[coronavirus]]></category>
		<category><![CDATA[covid-19]]></category>
		<category><![CDATA[HERE Arts Center New York]]></category>
		<category><![CDATA[hungary]]></category>
		<category><![CDATA[Hungary L!ve Foundation]]></category>
		<category><![CDATA[Hungary L!ve Talks]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[Kristin Marting]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Onassis Stegi Athens]]></category>
		<category><![CDATA[Revizor]]></category>
		<category><![CDATA[stayathome]]></category>
		<category><![CDATA[talk]]></category>
		<category><![CDATA[Tamás Jászay]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3008</guid>

					<description><![CDATA[<p>A discussion of Beata Barda (Trafó House), Kristin Marting (HERE Arts Center) and Christina Liata (Onassis Stegi). Moderator: theater critic Tamás Jászay.</p>
<p>The post <a href="https://arthereartnow.com/2020/05/05/hungary-live-talks-here-you-can-watch-the-video/">Hungary Live Talks &#8211; here you can watch the video!</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3008</post-id>	</item>
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		<title>Hungary Live Talks &#8211; International Theater in the time of Coronavirus</title>
		<link>https://arthereartnow.com/2020/05/05/hungary-live-talks-coronavirus-interactive-theatre-series-online/</link>
					<comments>https://arthereartnow.com/2020/05/05/hungary-live-talks-coronavirus-interactive-theatre-series-online/#comments</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Tue, 05 May 2020 01:00:24 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
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		<category><![CDATA[Beáta Barda]]></category>
		<category><![CDATA[Christina Liata]]></category>
		<category><![CDATA[coronavirus]]></category>
		<category><![CDATA[covid-19]]></category>
		<category><![CDATA[HERE Arts Center New York]]></category>
		<category><![CDATA[hungary]]></category>
		<category><![CDATA[Hungary L!ve Foundation]]></category>
		<category><![CDATA[Hungary L!ve Talks]]></category>
		<category><![CDATA[Kristin Marting]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[Onassis Stegi Athens]]></category>
		<category><![CDATA[Revizor]]></category>
		<category><![CDATA[stayathome]]></category>
		<category><![CDATA[talk]]></category>
		<category><![CDATA[Tamás Jászay]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=3004</guid>

					<description><![CDATA[<p>L!ve Talks series is now online, posing the questions that every professional is facing right now to theater creators, managers, directors and performers.</p>
<p>The post <a href="https://arthereartnow.com/2020/05/05/hungary-live-talks-coronavirus-interactive-theatre-series-online/">Hungary Live Talks &#8211; International Theater in the time of Coronavirus</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3004</post-id>	</item>
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		<title>There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</title>
		<link>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/</link>
					<comments>https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 07:00:00 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[cliches]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[girlpower]]></category>
		<category><![CDATA[girls]]></category>
		<category><![CDATA[Israel]]></category>
		<category><![CDATA[Roy Assaf]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[stereotypes]]></category>
		<category><![CDATA[taboos]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2899</guid>

					<description><![CDATA[<p>I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year - Roy Assaf recalls.</p>
<p>The post <a href="https://arthereartnow.com/2020/02/06/roy-assaf-girls-stereotypes-taboos-trafo-performance/">There should be no sacred cows in arts &#8211; interview with choreographer Roy Assaf</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2899</post-id>	</item>
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		<title>I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</title>
		<link>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/</link>
					<comments>https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Wed, 22 Jan 2020 16:35:33 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Music]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Christos Papadopoulos]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Elvedon]]></category>
		<category><![CDATA[Greece]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Opus]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[The Art of Fugue]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2873</guid>

					<description><![CDATA[<p>There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. 'Opus', performed in the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2020/01/22/we-will-be-music-interview-christos-papadopoulos-choreographer-dance-opus/">I told the dancers: we will be music, guys! &#8211; interview with Christos Papadopoulos</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2873</post-id>	</item>
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		<title>Can physical theatre and circus visualize totalitarian dictatorship? &#8211; Alexander Vantournhout and the Red-Haired Men</title>
		<link>https://arthereartnow.com/2019/11/04/can-physical-theatre-and-circus-visualize-totalitarian-dictatorship-alexander-vantournhout-and-the-red-haired-men/</link>
					<comments>https://arthereartnow.com/2019/11/04/can-physical-theatre-and-circus-visualize-totalitarian-dictatorship-alexander-vantournhout-and-the-red-haired-men/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Mon, 04 Nov 2019 13:00:29 +0000</pubDate>
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		<category><![CDATA[absurd]]></category>
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		<category><![CDATA[Alexander Vantournhout]]></category>
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		<category><![CDATA[Axel Guérin]]></category>
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		<category><![CDATA[Daniil Kharms]]></category>
		<category><![CDATA[dictatorship]]></category>
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		<category><![CDATA[Raphael]]></category>
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		<guid isPermaLink="false">https://arthereartnow.com/?p=2787</guid>

					<description><![CDATA[<p>It will work out very well in Trafó to awake feelings with the mere method of looking at people - says Alexander Vantournhout.</p>
<p>The post <a href="https://arthereartnow.com/2019/11/04/can-physical-theatre-and-circus-visualize-totalitarian-dictatorship-alexander-vantournhout-and-the-red-haired-men/">Can physical theatre and circus visualize totalitarian dictatorship? &#8211; Alexander Vantournhout and the Red-Haired Men</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2787</post-id>	</item>
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		<title>African percussionists invite you to a night you&#8217;ll never forget!</title>
		<link>https://arthereartnow.com/2019/10/30/african-percussionists-invite-you-to-a-night-you-will-never-forget/</link>
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		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Wed, 30 Oct 2019 17:30:20 +0000</pubDate>
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		<category><![CDATA[Mark Ernestus]]></category>
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		<category><![CDATA[percussionist]]></category>
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		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2763</guid>

					<description><![CDATA[<p>Singer Mbene Diatta Seck, talking drum master Modou Mbaye and dancer Fatou Wore Mboup are joined by legendary veteran characters from the Dakar scene.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/30/african-percussionists-invite-you-to-a-night-you-will-never-forget/">African percussionists invite you to a night you&#8217;ll never forget!</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2763</post-id>	</item>
		<item>
		<title>Exploring the idea of the collective between utopia and instrumentalization</title>
		<link>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/</link>
					<comments>https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Tue, 29 Oct 2019 01:00:12 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Adrienn Hód]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[body image]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[Coexist]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Hodworks]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Unusual Symptoms]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2753</guid>

					<description><![CDATA[<p>For "Coexist", Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/29/exploring-the-idea-of-the-collective-between-utopia-and-instrumentalization/">Exploring the idea of the collective between utopia and instrumentalization</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2753</post-id>	</item>
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		<title>Child actors evoke the story of a horrendous child killer on Trafó&#8217;s stage</title>
		<link>https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/</link>
					<comments>https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/#respond</comments>
		
		<dc:creator><![CDATA[News Editor]]></dc:creator>
		<pubDate>Thu, 24 Oct 2019 15:00:04 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[CAMPO]]></category>
		<category><![CDATA[child actor]]></category>
		<category><![CDATA[child killer]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[Five Easy Pieces]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[horrible]]></category>
		<category><![CDATA[IIPM]]></category>
		<category><![CDATA[Marc Dutroux]]></category>
		<category><![CDATA[Milo Rau]]></category>
		<category><![CDATA[murder]]></category>
		<category><![CDATA[Switzerland]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2747</guid>

					<description><![CDATA[<p>Rau uses the biography of the Belgium's most notoriously shameful criminal to reflect on (re)presentation of human feelings on stage.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/24/child-actors-evoke-the-story-of-a-horrendous-child-killer-on-trafos-stage/">Child actors evoke the story of a horrendous child killer on Trafó&#8217;s stage</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2747</post-id>	</item>
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		<title>Create your inner images &#8211; on the basis of sounds! &#8211; interview with drummer Julian Sartorius</title>
		<link>https://arthereartnow.com/2019/10/11/create-your-inner-images-on-the-basis-of-sounds/</link>
					<comments>https://arthereartnow.com/2019/10/11/create-your-inner-images-on-the-basis-of-sounds/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Fri, 11 Oct 2019 05:00:40 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[CAFe Budapest]]></category>
		<category><![CDATA[Dimitri de Perrot]]></category>
		<category><![CDATA[drummer]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[Julian Sartorius]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Myousic]]></category>
		<category><![CDATA[percussionist]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound performance]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2698</guid>

					<description><![CDATA[<p>I’m playing the piece with recordings doing one part and me the other. I'm alone on stage, but I'm not playing alone - says drummer Julian Sartorius.</p>
<p>The post <a href="https://arthereartnow.com/2019/10/11/create-your-inner-images-on-the-basis-of-sounds/">Create your inner images &#8211; on the basis of sounds! &#8211; interview with drummer Julian Sartorius</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2698</post-id>	</item>
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		<title>Did the Nazis put their hand on our arm forever? &#8211; director Oliver Zahn on the art history of the outstreched arm</title>
		<link>https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/</link>
					<comments>https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/#comments</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Mon, 23 Sep 2019 13:00:46 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[arm]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[banned]]></category>
		<category><![CDATA[cultural history]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[essay performance]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[nazis]]></category>
		<category><![CDATA[Oliver Zahn]]></category>
		<category><![CDATA[outstreched arm]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Sara Tamburini]]></category>
		<category><![CDATA[SITUATION WITH OUTSTRECHED ARM]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2639</guid>

					<description><![CDATA[<p>The 'outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general - says Oliver Zahn.</p>
<p>The post <a href="https://arthereartnow.com/2019/09/23/did-the-nazis-put-their-hand-on-our-arm-forever-director-oliver-zahn-on-the-art-history-of-the-outstreched-arm/">Did the Nazis put their hand on our arm forever? &#8211; director Oliver Zahn on the art history of the outstreched arm</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<title>Great things are coming to the reconstructed Trafó next year – interview with director Beáta Barda</title>
		<link>https://arthereartnow.com/2019/05/30/great-things-are-coming-next-year-to-the-reconstructed-trafo-interview-with-director-beata-barda/</link>
					<comments>https://arthereartnow.com/2019/05/30/great-things-are-coming-next-year-to-the-reconstructed-trafo-interview-with-director-beata-barda/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 30 May 2019 13:00:34 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Attila Vidnyánszky]]></category>
		<category><![CDATA[Beáta Barda]]></category>
		<category><![CDATA[cultural corporate tax]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[executive director]]></category>
		<category><![CDATA[György Szabó]]></category>
		<category><![CDATA[independent artist]]></category>
		<category><![CDATA[István Tarlós]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[team]]></category>
		<category><![CDATA[teamwork]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Zsolt Várkonyi]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2344</guid>

					<description><![CDATA[<p>A system of multiannual support could sustain independent theatre groups - says Beáta Barda, executive director of the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2019/05/30/great-things-are-coming-next-year-to-the-reconstructed-trafo-interview-with-director-beata-barda/">Great things are coming to the reconstructed Trafó next year – interview with director Beáta Barda</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2344</post-id>	</item>
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		<title>L-E-V: a heart dancing in living love</title>
		<link>https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/</link>
					<comments>https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 23 May 2019 15:10:51 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Gai Behar]]></category>
		<category><![CDATA[L-E-V]]></category>
		<category><![CDATA[L-E-V Dance Company]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[Sharon Eyal]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2308</guid>

					<description><![CDATA[<p>Love Chapter 2 is about that kind of love that is always lacking something. A show by L-E-V Dance Company on May 24 in the Trafó.</p>
<p>The post <a href="https://arthereartnow.com/2019/05/23/l-e-v-a-heart-dancing-in-living-love/">L-E-V: a heart dancing in living love</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2308</post-id>	</item>
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		<title>Traumas of the past come to light in the sordidest ways &#8211; interview with Kristóf Kelemen</title>
		<link>https://arthereartnow.com/2019/05/21/traumas-of-the-past-come-to-light-in-the-sordidest-ways-interview-with-kristof-kelemen/</link>
					<comments>https://arthereartnow.com/2019/05/21/traumas-of-the-past-come-to-light-in-the-sordidest-ways-interview-with-kristof-kelemen/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Tue, 21 May 2019 15:00:51 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[contemporary theatre]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Hungarian Acacia]]></category>
		<category><![CDATA[Hungarian theatre abroad]]></category>
		<category><![CDATA[Kristóf Kelemen]]></category>
		<category><![CDATA[Observers]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[public life]]></category>
		<category><![CDATA[public sphere]]></category>
		<category><![CDATA[Trafó]]></category>
		<category><![CDATA[Zsolt Várkonyi]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2291</guid>

					<description><![CDATA[<p>"You could think agent network was a hidden and secretive organization, but actually it happened in front of public eyes, invisibly."</p>
<p>The post <a href="https://arthereartnow.com/2019/05/21/traumas-of-the-past-come-to-light-in-the-sordidest-ways-interview-with-kristof-kelemen/">Traumas of the past come to light in the sordidest ways &#8211; interview with Kristóf Kelemen</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2291</post-id>	</item>
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		<title>Sliding metro doors changed his perception on art and reality &#8211; interview with Teun Vonk</title>
		<link>https://arthereartnow.com/2019/05/16/sliding-metro-doors-changed-his-perception-on-art-and-reality-interview-with-teun-vonk/</link>
					<comments>https://arthereartnow.com/2019/05/16/sliding-metro-doors-changed-his-perception-on-art-and-reality-interview-with-teun-vonk/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 16 May 2019 13:00:47 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Fine Arts]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Art Quarter Budapest]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[Dutch]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[smART! XTRA 40. // Wonderlands]]></category>
		<category><![CDATA[Teun Vonk]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2269</guid>

					<description><![CDATA[<p>"The culture of images might be harmful too. I want to make something where people can feel their body and they can focus on their physical existence."</p>
<p>The post <a href="https://arthereartnow.com/2019/05/16/sliding-metro-doors-changed-his-perception-on-art-and-reality-interview-with-teun-vonk/">Sliding metro doors changed his perception on art and reality &#8211; interview with Teun Vonk</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">2269</post-id>	</item>
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		<title>Europe through the eyes of a Finnish and a Hungarian girl &#8211; interview with Jenna Jalonen</title>
		<link>https://arthereartnow.com/2019/05/09/europe-through-the-eyes-of-a-finnish-and-a-hungarian-girl-interview-with-jenna-jalonen/</link>
					<comments>https://arthereartnow.com/2019/05/09/europe-through-the-eyes-of-a-finnish-and-a-hungarian-girl-interview-with-jenna-jalonen/#respond</comments>
		
		<dc:creator><![CDATA[Sophie Hacsek (Managing Editor)]]></dc:creator>
		<pubDate>Thu, 09 May 2019 13:00:24 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Ábris Gryllus]]></category>
		<category><![CDATA[András Vinnai]]></category>
		<category><![CDATA[Beatrix Simkó]]></category>
		<category><![CDATA[Dániel Dömölky]]></category>
		<category><![CDATA[Jenna Jalonen]]></category>
		<category><![CDATA[Long Time No See!]]></category>
		<category><![CDATA[Trafó]]></category>
		<guid isPermaLink="false">https://arthereartnow.com/?p=2246</guid>

					<description><![CDATA[<p>"Language was the base idea, and we moved towards culture, stereotypes, isolation, communication" - Jenna Jalonen on the performance 'Long Time No See!'</p>
<p>The post <a href="https://arthereartnow.com/2019/05/09/europe-through-the-eyes-of-a-finnish-and-a-hungarian-girl-interview-with-jenna-jalonen/">Europe through the eyes of a Finnish and a Hungarian girl &#8211; interview with Jenna Jalonen</a> appeared first on <a href="https://arthereartnow.com">arthereartnow.com</a>.</p>
]]></description>
		
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