The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.

In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.

At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.

With his latest film, I’m Still Here, Walter Salles brings to the screen a deeply personal and politically urgent story.

Guadagnino’s 2024 adaptation of Queer is based on the slim but powerful 1985 William S. Burroughs novella of the same name

If you’re in the mood for something stranger, Presence is exactly the kind of cinematic experiment that you need to sign up for.

Set in the aftermath of World War I, Chariots of Fire captures a moment in time when the world was trying to figure out what came next.

As I finished reading the book, I found myself wondering whether there is any aspect of life that György Cserhalmi does not speak about.

Systems of Logic: The Art and Mind of Agnes Denes offers an immersive opportunity to experience the vast scope of her career.

The Brutalist: a post-World War II immigrant architect chasing a better, safer life—in a country that often does not seem to want him.

Anora reflects the struggles, desires, and quiet triumphs of people who rarely get to see themselves on screen.

Even within the grim tableau of There’s Still Tomorrow, director Cortellesi finds moments of humanity and even humor.

Baby Girl is ambitious in tackling power, submission, shame, and desire. The problem is, ambition is not always enough.

Beyond its production history, Bunny Lake Is Missing is fascinating for its bold approach to taboo subjects.

The Night of the Hunter may have flopped in its time, but its influence is undeniable. It is as relevant today as it was unsettling in 1955.

A Real Pain is not just about one family’s trauma (as if that was not too much already); it is about all of us.

Naples in Parthenope looks like paradise; the film bathes its landscapes in a golden, almost mythical glow.

At its core, Nightbitch is about a woman struggling to reconcile her past identity with her new role as a stay-at-home mother.

Heretic taps into the quiet terror of being trapped in a house, with nowhere to run and only your wits to rely on.

Juror #2 feels like the kind of movie you’d expect from Eastwood—slow-burn, tension-filled, brimming with idealistic notions about justice…

In Maria (2024), a biographical psychological drama, the legendary opera singer Maria Callas is deconstructed by director Pablo Larraín.

If you’re a die-hard western fan with the patience of a saint, Horizon: An American Saga – Chapter 1 might be worth your time.

Electra, My Love is not just a film; it is a cinematic phoenix rising from the ashes of tyranny, as relevant today as it was in 1974.

The pastel-hued wallpaper, vintage kitchenware, and vibrant costumes transport us into an era that feels tactile and alive.