Dominik Szoboszlai, captain of the Hungarian national football team and star midfielder for Liverpool FC, will soon be immortalized in wax.

Jane Austen Wrecked My Life, the debut feature by Laura Piani, a Franco-British romantic comedy that tries (sometimes too hard) to channel Austen’s wit and romantic entanglements into a modern setting.

Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.

A Fish Called Wanda (1988) is now considered a comedy classic, directed by Charles Crichton, who came out of semi-retirement at the age of seventy-eight to take it on.

Despite its R rating, Weapons is not particularly frightening. What it offers instead is an uneasy mix of horror, folklore, dark comedy, and old-school small-town drama.

László Krasznahorkai is a great epic writer in the Central European tradition that extends through Kafka to Thomas Bernhard.

Greenaway trusts the audience to engage visually and emotionally rather than merely following plot points.

Super/Man: The Christopher Reeve Story is a masterclass in humanizing an icon. It refuses to turn Reeve into a pristine, unreachable superhero.

Julie Keeps Quiet is not about sensational revelations. It’s about the slow internal process of recognizing harm.

He tells them he wants to center his new project around women – because, in his words, “women are my real diamonds.”

September 5 is a gripping, grounded, and unsettling new film about the 1972 Munich massacre, where eleven Israeli athletes, coaches…

Still, Goebbels and the Führer never quite decide whether it wants to be a character study, a historical record, or a lecture in propaganda.

Disclaimer is currently streaming on Apple TV+. Viewer discretion advised, especially if you’ve got a secret you thought you buried for good.

If you ever needed a reminder that the hardest person to escape from is yourself, The Outrun will make sure you do not forget it.

The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.

In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.

At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.

With his latest film, I’m Still Here, Walter Salles brings to the screen a deeply personal and politically urgent story.

Guadagnino’s 2024 adaptation of Queer is based on the slim but powerful 1985 William S. Burroughs novella of the same name

If you’re in the mood for something stranger, Presence is exactly the kind of cinematic experiment that you need to sign up for.

Set in the aftermath of World War I, Chariots of Fire captures a moment in time when the world was trying to figure out what came next.

As I finished reading the book, I found myself wondering whether there is any aspect of life that György Cserhalmi does not speak about.

Systems of Logic: The Art and Mind of Agnes Denes offers an immersive opportunity to experience the vast scope of her career.

The Brutalist: a post-World War II immigrant architect chasing a better, safer life—in a country that often does not seem to want him.