“Living in the same village doesn’t mean us to hang out together around the clock. Rehearsing gives us good vibes, can’t be put into words how it feels to resonate, crying, grieving, laughing together, engulfed with sympathy comforting each other.” Renáta Báder and Fruzsina Háda speak about Live long, Regina!, an improvisational docudrama by the group SajátSzínház.
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
The International Choral Celebration, held in Budapest from May 18 to 21, shows the most beautiful and engaging face of choral music.
“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.
All three works contain references to moments in Wilhelmine’s life: the self-sacrificing, loving sister, the hysterical arguments between her parents, the tyrannical father forcing his daughter to marry, who even condemns his own son to death.
“Vibrato is like a disease. Leopold Mozart, who published his violin method in 1766, wrote that some players use it all the time, and their hand shakes as though they had fever.” BSF Magazine’s interview with Sir Roger Norrington.
“I want to show a character who is going through really difficult trials but tries to find the beauty in the chaos. That’s sometimes the best you can do, but it’s always better than giving up.” An interview with Adam Silvera.
You can read author Ivanka Mogilska’s secrets, behind the glistering scenes: where, when, how and with whom did she write Sudden Streets?
How come that someone who used to rule and utilise the light suddenly experiences enlightenment and lets his previous life goals go? This is what I asked the novel’s writer about…
“I was drawn to write about China because I have an ancestral connection to the country, through my grandfather, and I wanted to follow the chain of emigration backwards to its origins.”
“One cannot work as a teacher if he doesn’t believe that everyone of the pupils are good and important and they should be given all possibilities to live a good life. Maybe it’s the same with writing: there aren’t good or bad characters.”
Who wants to still get involved in a debate about refugees in Hungary? The international project Journeys and the Trafo…
Winston Groom worked as a journalist, served in Vietnam, and as a writer he won several awards and published more than twenty books – among them, Forrest Gump…
Robert Glasper, the two-time Grammy Award-winning jazz pianist and his band, the Robert Glasper Experiment performed at the Müpa in Budapest on April 16, 2016.
We talked to Robert at a hotel by the Danube a few hours before the concert. He is just like his music: honest and enthralling.
In the early years of the band, you hesitated between having a traditional or an a cappella group. What made you choose the a cappella style?
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