How can someone have moral strength, somebody that you trust when he claims that he has supreme power, without any control above him? And why people don’t realize that these two concepts are not really hand in hand?
“Working with singers, you have to understand that you are in a support role. Now that we are a quartet again, we use that experience to support each other.”
Students on stage, students in the audience. A cool experience of classical music, mostly (but not exclusively) for young people…
Péter Dobszay and the Szeged Symphony Orchestra, Müpa, 24 February 2019, 7:30 pm Thinking about he is only 26 and…
She answers the phone and I’m astonished how beautiful her voice is. I can imagine her leading a meditation group…
Gilbert Varga, the British conductor with Hungarian roots, found his way “back home” last February when he performed in Hungary….
The Land of Smiles, Müpa, 1 February 2019, 7 pm We caught the incredibly nice opera singer, Karine Babajanyan, for…
“I found it fantastic that every organ is different, you can hear completely new sounds, hundreds of years of music is awaken, and there are all these historical organs, still working today, all around the world…”
“I am the result of the most beautiful mixture and this mixture is the fountain from which I create.” Yasmin Levy on her father, the Sephardim, Jerusalem and the sacredness of music.
The Croatian movie Srbenka received The Human Rights Film Award of the Verzió 15 International Human Rights Film Festival in Budapest. We interviewed the director Nebojša Slijepčević.
This year will be the 100th year since we have 8-hour working. The world has changed so much in this one hundred year. There would be a need to talk about what work really means.
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
“Living in the same village doesn’t mean us to hang out together around the clock. Rehearsing gives us good vibes, can’t be put into words how it feels to resonate, crying, grieving, laughing together, engulfed with sympathy comforting each other.” Renáta Báder and Fruzsina Háda speak about Live long, Regina!, an improvisational docudrama by the group SajátSzínház.
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
The International Choral Celebration, held in Budapest from May 18 to 21, shows the most beautiful and engaging face of choral music.
“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.
All three works contain references to moments in Wilhelmine’s life: the self-sacrificing, loving sister, the hysterical arguments between her parents, the tyrannical father forcing his daughter to marry, who even condemns his own son to death.
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