Liszt Fest programme announced at unusual card game
Liszt Fest returns in 2023 too! The press was invited to attend a gathering where a card game was played and programmes announced.
Liszt Fest returns in 2023 too! The press was invited to attend a gathering where a card game was played and programmes announced.
The performance explains the infidelity of a woman who cannot forget her first and true love and flees her bad marriage.
Debussy: “I wished music to have such freedom to which it is probably better suited than any other art form…”
A wise woman who, realising her age, gives up her much younger love for a young and beautiful heiress in Der Rosenkavalier.
Castor and Pollux are indeed twin brothers, but from two different fathers. Pollux, Zeus’ son, is immortal, but Castor is mortal…
This production was born from a mixture of peasant folklore and imagination, and was first performed at Müpa Budapest in 2018.
Kristály is an ice queen who suffers from a broken heart and freezes the world around her, not wanting to let any emotion in anymore.
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.
In fact, Lucrezia Borgia is a Renaissance person who combines the sciences and the arts. A semi-staged opera in the Müpa.
Dance of the Mezőség is very unified, but every ethnic group has its own traits. It was a difficult task for the dancers and musicians…
There are several characters in this story: “the transporters” themselves, the rapists, or the mother, and a little girl.
The music is exciting: classical opera on the one hand, rock music on the other, and thirdly, there are musical elements – says the director.
Mari Simon, actress, and Gábor Mészöly, writer and dramaturg, recently passed away. Writer Gyula Böszörményi says farewell to them.
Arno Schuitemaker is originally an aeronautical engineer, which makes his choreographies to be always led by rationality.
By continuing to use the site, you agree to the use of cookies. more information
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.