More From Film
The Croatian movie Srbenka received The Human Rights Film Award of the Verzió 15 International Human Rights Film Festival in Budapest. We interviewed the director Nebojša Slijepčević.
This year will be the 100th year since we have 8-hour working. The world has changed so much in this one hundred year. There would be a need to talk about what work really means.
The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.
Nowadays these quarters offer the cheapest labour to the construction industry and other dangerous work. These workers have no insurance, no contract, and no any kind of welfare-service. They receive their daily payment in cash.
Why were we able to accept people like Giovanna seven and a half decades ago, and why do we have deep aversion, fear and worries toward the African refugees?
The attack against the government quarter could have been prevented and the help to save people on Utoya Island was seriously late.
Katalin Ferber’s review on ‘Genesis’, the only new Hungarian film represented at this year’s Berlinale.
Forty two firefighters were at the scene in less than two minutes and the fire was eliminated an hour later. Nobody was injured.
Mahoney’s manager, Paul Martino, said Mahoney died on Sunday in Chicago after a brief hospitalisation.
More From Fine Arts
Two years ago, Fodor’s Border Wall was exhibited in an open space in Vienna. Now it is back again: you can find it in Vienna’s old town district at the junction of Freyung and Herrengasse.
In her experimental photography, Csáky employs combinations of techniques and materials to explore the themes that engage her inquisitive attention and eye.
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
To this day, around 2,000 art lovers have visited the exhibition of the most important performance artist of the present day.
István Haász, one of the most prominent artists of the Hungarian geometric constructivism, will present his first solo show at Ani Molnár Gallery.
Touching on the questions of the superficially constructed female values, Marge Monko examines the storytelling powers of commercialism’s impacts.
How come that someone who used to rule and utilise the light suddenly experiences enlightenment and lets his previous life goals go? This is what I asked the novel’s writer about…
Cameron’s Norman Album has been placed under a temporary export bar by the arts minister, Michael Ellis.
The show at the World Museum came to Merseyside partly because of the popularity in China of Liverpool Football Club.
More From Literature
The bottomless well of literature, from rhymes to poems, from illustrated tales to YA novels, seems to be a good reason for our little ones to get stuck on the internet.
A compilation of ebook sites recommended by the Arthereartnow editorial.
This year’s program is characterized by five key topics: “Decolonizing Wor:l:ds,” “Nature Writing,” “The Art of Cooking,” “The Politics of Drugs” and “The Evolution of Human Culture”.
You already saw the cathedral, the skeleton of the destroyed old one reaches a hand to the modern new one. The Christchurch was never restored, but the spire is still there. And this is the Holy Trinity…
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
The storyteller is „simply” a girl, or more likely a bitter and disillusioned woman, who is remembering her youth years. And there is (naturally?) a man, addressed in this second person singular story…
“I want to show a character who is going through really difficult trials but tries to find the beauty in the chaos. That’s sometimes the best you can do, but it’s always better than giving up.” An interview with Adam Silvera.
You can read author Ivanka Mogilska’s secrets, behind the glistering scenes: where, when, how and with whom did she write Sudden Streets?
How come that someone who used to rule and utilise the light suddenly experiences enlightenment and lets his previous life goals go? This is what I asked the novel’s writer about…
More From Music
In the evening, after dinner and milking sheep, camels and goats, people from every tent came together at a common fire where they drank tea, talked about history, recited poems and sang.
“I found it fantastic that every organ is different, you can hear completely new sounds, hundreds of years of music is awaken, and there are all these historical organs, still working today, all around the world…”
“I am the result of the most beautiful mixture and this mixture is the fountain from which I create.” Yasmin Levy on her father, the Sephardim, Jerusalem and the sacredness of music.
After years of hard work, practice, success in closer circles, many musicians really deserve national recognition and money. And there are some people who win even more in a talent show… Just like these three musicians.
Even with a magical goblet to choose participants, it wouldn’t be a question why to choose these talented young people over thousands of their fellow students and colleagues.
“I knew I had to do this because I had music in my head that I could not make on the guitar.” Meet Stanley Jordan and others, and see him playing the guitar the way no one else does.
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
To these driving rhythms and storytelling melodies, the quintet adds improvisations and orchestrations with various tones to fully realise their captivating power.
Following its highly successful premiere in Munich, Pathos Theater, the Bavarian capital’s largest independent company will bring their experimental Faust performance to CAFe Budapest Contemporary Arts Festival audiences.
More From Theater
Following its highly successful premiere in Munich, Pathos Theater, the Bavarian capital’s largest independent company will bring their experimental Faust performance to CAFe Budapest Contemporary Arts Festival audiences.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.
“Living in the same village doesn’t mean us to hang out together around the clock. Rehearsing gives us good vibes, can’t be put into words how it feels to resonate, crying, grieving, laughing together, engulfed with sympathy comforting each other.” Renáta Báder and Fruzsina Háda speak about Live long, Regina!, an improvisational docudrama by the group SajátSzínház.
The performance inspires you to meditate on the different essential archetypical ideas of life – that are recognizable in the Tarot cards – about their relations and their presence in your life or in your actual life situation.
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.
All three works contain references to moments in Wilhelmine’s life: the self-sacrificing, loving sister, the hysterical arguments between her parents, the tyrannical father forcing his daughter to marry, who even condemns his own son to death.
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