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Jane Austen Wrecked My Life, the debut feature by Laura Piani, a Franco-British romantic comedy that tries (sometimes too hard) to channel Austen’s wit and romantic entanglements into a modern setting.
Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.
A Fish Called Wanda (1988) is now considered a comedy classic, directed by Charles Crichton, who came out of semi-retirement at the age of seventy-eight to take it on.
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Jane Austen Wrecked My Life, the debut feature by Laura Piani, a Franco-British romantic comedy that tries (sometimes too hard) to channel Austen’s wit and romantic entanglements into a modern setting.
Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.
A Fish Called Wanda (1988) is now considered a comedy classic, directed by Charles Crichton, who came out of semi-retirement at the age of seventy-eight to take it on.
Despite its R rating, Weapons is not particularly frightening. What it offers instead is an uneasy mix of horror, folklore, dark comedy, and old-school small-town drama.
László Krasznahorkai is a great epic writer in the Central European tradition that extends through Kafka to Thomas Bernhard.
Greenaway trusts the audience to engage visually and emotionally rather than merely following plot points.
Super/Man: The Christopher Reeve Story is a masterclass in humanizing an icon. It refuses to turn Reeve into a pristine, unreachable superhero.
Julie Keeps Quiet is not about sensational revelations. It’s about the slow internal process of recognizing harm.
He tells them he wants to center his new project around women – because, in his words, “women are my real diamonds.”
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