Electra, My Love at 50: A Revolutionary Elegy in 12 Takes
Electra, My Love is not just a film; it is a cinematic phoenix rising from the ashes of tyranny, as relevant today as it was in 1974.
Sophie Hacsek (Managing Editor)
“Mothers’ Instinct” Review: Perfume, Pastels and Friendship Apocalypse
The pastel-hued wallpaper, vintage kitchenware, and vibrant costumes transport us into an era that feels tactile and alive.
I Went for a Run Review: Even If You Fall on Your Face, You Are Still Moving Forward
In a world increasingly divided by differences, Gábor Herendi’s I Went for a Run reminds us how much more unites us.
Dead Again Review: Did We Meet in a Past Life?
This 1991 film weaves elements of mystery, investigation, and reincarnation into a story that’s both chaotic, witty and creative.
Sprint Review: Drive to Survive 2.0
The expectations were high. But did Phil Turner’s Sprint cross the finish line, or did it trip over its own laces?
Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara
A Good Day Will Come is a reflection of resilience and fighting for justice even under the heavy weights of political oppression.
“Nye” Review: A Politician Who Truly Cares
The play Nye is coming to cinemas internationally and to NT Live, thanks to National Theatre’s five-star video production.
A Private Function Review: Remembering Dame Maggie Smith with Some Charming Chaos
If you are looking for a film that offers laughs, wit, and a touch of history, A Private Function delivers.
Dying Review: We Should Talk About Everything
Every member of the Lunies family is struggling, and that struggle often takes the form of miscommunication and inherited trauma.
Beetlejuice Beetlejuice Review: Honey, The Juice Is Still Loose
Most of the original cast has returned to reprise their memorable roles, and it is clear they had a blast.
Wicked Little Letters Review: Not Shutting Up Has Never Felt So Good
When Rose moves in with her daughter and new partner, an unexpected friendship blossoms, but not without its complications.
Young Woman and the Sea Review: Breaking Barriers and Jabbing Jellyfish
Daisy Ridley stars as Gertrude, and she does so with all the earnestness of someone who might have actually been born in a swimsuit.
Cabaret Revival at the August Wilson Theater: In Here, Life is Beautiful
Before the show even begins, the mood is set—you are not just an audience member, you are a guest at the Kit Kat Club. Welcome to Berlin!
The Hills of California Review – Sisterhood and Strife by the Sea
The multi-story guest house is meticulously crafted, with staircases that almost seem to lead to heaven—symbolic of the family’s dreams.
An Evening with James Ivory: The Witty Maestro of Cinematic Elegance
At 96, James Ivory remains a vital figure in cinema. His influence is undeniable, most recently with Call Me by Your Name.
Vivian Maier’s Unseen Work – From a Chicago Locker to Fotografiska
Vivian Maier’s hidden treasure trove of photographs was uncovered when one of her storage lockers was auctioned off due to unpaid bills.
One-Man Shows and Square-Shaped Rows: Every Brilliant Thing and Please Do Not Touch
A comparative review of performances of Every Brilliant Thing and Please Do Not Touch in two Coventry theatres.
“Ágnes Keleti: Conquering Time” Review
Her infectious smile, spontaneous dance moves, and impromptu singing, on- and off-camera showcase, a life lived with passion and curiosity.
Rocco and His Brothers Review: Seeds That Are Meant to Bear Fruit
Rocco (Alain Delon) stands out as the idealistic, self-sacrificing brother who finds happiness in the little things.
More Than Meets the Lip: Dissecting Hayez’s Iconic Kiss
Throughout history, artists have returned to the theme of the kiss, each time offering their unique interpretation.