Artist, Eco-Pioneer and Rebel: Agnes Denes Harvests Wheat in Manhattan
Systems of Logic: The Art and Mind of Agnes Denes offers an immersive opportunity to experience the vast scope of her career.
Sophie Hacsek (Managing Editor)
The Brutalist Review: Wrecking Ball to the American Dream
The Brutalist: a post-World War II immigrant architect chasing a better, safer life—in a country that often does not seem to want him.
Anora Review: Tinsel In Her Hair, Hole In Her Heart
Anora reflects the struggles, desires, and quiet triumphs of people who rarely get to see themselves on screen.
There’s Still Tomorrow Review: The Film That Italians Chose Over Barbie and Oppenheimer
Even within the grim tableau of There’s Still Tomorrow, director Cortellesi finds moments of humanity and even humor.
Babygirl Review: Pornhub Vibes and an A-List Cast
Baby Girl is ambitious in tackling power, submission, shame, and desire. The problem is, ambition is not always enough.
Bunny Lake Is Missing Review: 60 Years Since She Disappeared
Beyond its production history, Bunny Lake Is Missing is fascinating for its bold approach to taboo subjects.
The Night of the Hunter Turns 70: Mother Goose with a Shotgun Meets a Madman
The Night of the Hunter may have flopped in its time, but its influence is undeniable. It is as relevant today as it was unsettling in 1955.
A Real Pain Review: A Tender Journey of Heartache and Humor
A Real Pain is not just about one family’s trauma (as if that was not too much already); it is about all of us.
“Parthenope” Review: Sorrentino’s Love-Hate Letter to Naples
Naples in Parthenope looks like paradise; the film bathes its landscapes in a golden, almost mythical glow.
Nightbitch Review: Wildly Unfiltered Womanhood
At its core, Nightbitch is about a woman struggling to reconcile her past identity with her new role as a stay-at-home mother.
Heretic Review: Run Fast If You Hear The Words “Magic Underwear”
Heretic taps into the quiet terror of being trapped in a house, with nowhere to run and only your wits to rely on.
Juror #2 Review: Mr. Eastwood, We’re Not Ready to Say Goodbye
Juror #2 feels like the kind of movie you’d expect from Eastwood—slow-burn, tension-filled, brimming with idealistic notions about justice…
“Maria” Review: The Mandrax-Fueled Danse Macabre of La Divina
In Maria (2024), a biographical psychological drama, the legendary opera singer Maria Callas is deconstructed by director Pablo Larraín.
“Horizon: An American Saga – Chapter 1” Review: All Smoke and No Signal
If you’re a die-hard western fan with the patience of a saint, Horizon: An American Saga – Chapter 1 might be worth your time.
Electra, My Love at 50: A Revolutionary Elegy in 12 Takes
Electra, My Love is not just a film; it is a cinematic phoenix rising from the ashes of tyranny, as relevant today as it was in 1974.
“Mothers’ Instinct” Review: Perfume, Pastels and Friendship Apocalypse
The pastel-hued wallpaper, vintage kitchenware, and vibrant costumes transport us into an era that feels tactile and alive.
I Went for a Run Review: Even If You Fall on Your Face, You Are Still Moving Forward
In a world increasingly divided by differences, Gábor Herendi’s I Went for a Run reminds us how much more unites us.
Dead Again Review: Did We Meet in a Past Life?
This 1991 film weaves elements of mystery, investigation, and reincarnation into a story that’s both chaotic, witty and creative.
Sprint Review: Drive to Survive 2.0
The expectations were high. But did Phil Turner’s Sprint cross the finish line, or did it trip over its own laces?
Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara
A Good Day Will Come is a reflection of resilience and fighting for justice even under the heavy weights of political oppression.