The Stranger: None of This Matters, Does It?
Ultimately, The Stranger works because it behaves like a slow-burn harrowing horror disguised as a romantic drama.
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Inter Alia: Rosamund Pike and the Beautiful, Terrifying Myth of Having It All
The first half of Inter Alia is an abstract, non-linear character study that lives inside Jessica’s memories and hyper-vigilent headspace.
A Little Prayer: Parenting the Grown-Up Chaos
A Little Prayer, Angus MacLachlan’s quietly stunning 2023 drama, does exactly that – wrote Dora Endre about the film.
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The Stranger: None of This Matters, Does It?
Ultimately, The Stranger works because it behaves like a slow-burn harrowing horror disguised as a romantic drama.
Inter Alia: Rosamund Pike and the Beautiful, Terrifying Myth of Having It All
The first half of Inter Alia is an abstract, non-linear character study that lives inside Jessica’s memories and hyper-vigilent headspace.
A Little Prayer: Parenting the Grown-Up Chaos
A Little Prayer, Angus MacLachlan’s quietly stunning 2023 drama, does exactly that – wrote Dora Endre about the film.
Sorry, Baby: An Indie Diary Written in Winter Blues
Sorry, Baby is not a movie that solves trauma. It doesn’t offer easy answers or tidy resolutions.
Dust Bunny: The Monster Under Your Bed
Dust Bunny may not fully deliver on its promise, but it announces Bryan Fuller as a filmmaker worth watching.
No Other Choice: When the Job Market Turns You into a Serial Killer
No Other Choice may not be Park Chan-wook’s most personal or perfectly calibrated work, but it is thoughtful, provocative, and filled with moments of undeniable brilliance.
Frankenstein: Makings of a True Monster
Mary Shelley was only eighteen when she wrote Frankenstein, which might explain why the story still feels so unsettlingly alive.
Train Dreams: The Quiet Poetry of an Ordinary Life
At its core, Train Dreams is about transformation. Not just personal change, but societal evolution.
If I Had Legs I’d Kick You: A High-Wire Motherhood Ride
Welcome to A24’s If I Had Legs I’d Kick You, the darkly funny, intensely human, sometimes harrowing new film from Mary Bronstein.