A Thursday: You Have One Hour

The new Indian thriller by Behzad Khambata (Blank) brings a shocking, sensitive and highly original concept to the screen.

Leave No Traces: How Far Would You Go for a Friend?

Leave No Traces: Cold War fear meets macro-scale espionage, investigative journalism and micro-level, personal stories.

What is your Book of REB? – About ‘Prisoners of Beliefs’ by Richard Roe

In Prisoners of Beliefs, both the storyline and the cast of characters help us to delve into burning issues of our global society.

A Thursday: You Have One Hour

The new Indian thriller by Behzad Khambata (Blank) brings a shocking, sensitive and highly original concept to the screen.

Leave No Traces: How Far Would You Go for a Friend?

Leave No Traces: Cold War fear meets macro-scale espionage, investigative journalism and micro-level, personal stories.

What is your Book of REB? – About ‘Prisoners of Beliefs’ by Richard Roe

In Prisoners of Beliefs, both the storyline and the cast of characters help us to delve into burning issues of our global society.

Two businesswomen from a century ago: The White Map by Cecilie Enger

Bertha and Hanna had no example to follow, they just went along with their own intuitions – says Cecilie Enger about the protagonists.

Youssou N’Dour: In Africa, music is never just entertainment

Youssou D’Nour – his outstanding vocal ability is combined with a natural ease that adds to the brilliance of his productions.

Diana Tishchenko: my music delivers messages in support of the Ukrainians

He has an intelligent approach to music – says Diana Tishchenko about concert and recording partner Zoltán Fejérvári.

The Montenegrin Guitar Duo at the Budapest International Guitar Festival

It is a great honour to welcome the Montenegrin Guitar Duo to the Budapest International Guitar Festival, subtitled ‘The Colours of Guitars’.

Ilona Prunyi gives special concert with three younger colleagues

Ilona Prunyi plays piano trios with Barnabás Kelemen and László Fenyő, and two-piano pieces with Gábor Farkas.

King Pomádé: György Ránki’s children’s opera is a parody of power

Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.

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