The Outrun Review: The Colorful Sinks and Swells of Recovery
If you ever needed a reminder that the hardest person to escape from is yourself, The Outrun will make sure you do not forget it.
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“Faye” Review: The Making of Hollywood’s Most Difficult Woman
The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.
“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On
In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.
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The Outrun Review: The Colorful Sinks and Swells of Recovery
If you ever needed a reminder that the hardest person to escape from is yourself, The Outrun will make sure you do not forget it.
“Faye” Review: The Making of Hollywood’s Most Difficult Woman
The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.
“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On
In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.
“The Last Showgirl” Review: When The Glitter Settles
At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.
I’m Still Here Review: When the Past Won’t Stay Silent
With his latest film, I’m Still Here, Walter Salles brings to the screen a deeply personal and politically urgent story.
“Queer” Review: Hon, Come As You Are
Guadagnino’s 2024 adaptation of Queer is based on the slim but powerful 1985 William S. Burroughs novella of the same name
Presence Review: Welcome to Soderbergh’s Haunted House
If you’re in the mood for something stranger, Presence is exactly the kind of cinematic experiment that you need to sign up for.
Running on Principles: Revisiting Chariots of Fire
Set in the aftermath of World War I, Chariots of Fire captures a moment in time when the world was trying to figure out what came next.
György Cserhalmi knows how and why Latinovits died
As I finished reading the book, I found myself wondering whether there is any aspect of life that György Cserhalmi does not speak about.