Goebbels and the Führer Review: A Heavy-Handed Recount of the Propaganda Machinery
Still, Goebbels and the Führer never quite decide whether it wants to be a character study, a historical record, or a lecture in propaganda.
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Disclaimer Review: The Fiction We Call Reality
Featured, Film
The Outrun Review: The Colorful Sinks and Swells of Recovery
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Disclaimer Review: The Fiction We Call Reality
Disclaimer is currently streaming on Apple TV+. Viewer discretion advised, especially if you’ve got a secret you thought you buried for good.
The Outrun Review: The Colorful Sinks and Swells of Recovery
If you ever needed a reminder that the hardest person to escape from is yourself, The Outrun will make sure you do not forget it.
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Goebbels and the Führer Review: A Heavy-Handed Recount of the Propaganda Machinery
Still, Goebbels and the Führer never quite decide whether it wants to be a character study, a historical record, or a lecture in propaganda.
Disclaimer Review: The Fiction We Call Reality
Disclaimer is currently streaming on Apple TV+. Viewer discretion advised, especially if you’ve got a secret you thought you buried for good.
The Outrun Review: The Colorful Sinks and Swells of Recovery
If you ever needed a reminder that the hardest person to escape from is yourself, The Outrun will make sure you do not forget it.
“Faye” Review: The Making of Hollywood’s Most Difficult Woman
The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.
“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On
In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.
“The Last Showgirl” Review: When The Glitter Settles
At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.
I’m Still Here Review: When the Past Won’t Stay Silent
With his latest film, I’m Still Here, Walter Salles brings to the screen a deeply personal and politically urgent story.
“Queer” Review: Hon, Come As You Are
Guadagnino’s 2024 adaptation of Queer is based on the slim but powerful 1985 William S. Burroughs novella of the same name
Presence Review: Welcome to Soderbergh’s Haunted House
If you’re in the mood for something stranger, Presence is exactly the kind of cinematic experiment that you need to sign up for.