The Invite: Marital Warfare, Jamón and Some Rooibos Tea Nobody Wants
Directed with vibrant, unflinching confidence by Olivia Wilde, The Invite arrives as the definitive comedy of the year so far.
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Jimpa: When Deeply Personal Filmmaking Breaks Under Its Own Good Intentions
When analyzing Jimpa, one cannot help but draw an immediate association to Joachim Trier’s Sentimental Value.
Solomamma: The Danger of Seeking All the Answers
Solomamma uses a palette of soft pastels and lifelike, intimate framing to ground the heavy emotions in reality.
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The Invite: Marital Warfare, Jamón and Some Rooibos Tea Nobody Wants
Directed with vibrant, unflinching confidence by Olivia Wilde, The Invite arrives as the definitive comedy of the year so far.
Jimpa: When Deeply Personal Filmmaking Breaks Under Its Own Good Intentions
When analyzing Jimpa, one cannot help but draw an immediate association to Joachim Trier’s Sentimental Value.
Solomamma: The Danger of Seeking All the Answers
Solomamma uses a palette of soft pastels and lifelike, intimate framing to ground the heavy emotions in reality.
Orson Welles: “Why Are There So Many of Me and So Few of You?”
Currently presiding over the museum’s central space is the magnetic exhibition, “My Name is Orson Welles” (running through May 10, 2026).
The Drama: A Morally Knotty Dive into the Perceptions of Love
Even with these cracks in the foundation, The Drama remains a vital, thought-provoking movie.
Backrooms: All Hail the Digital Pioneer Who Saved the Summer Movie Season
I appreciate that Backrooms – mostly – refuses to cater to cheap, crowd-pleasing jump scares.
The Stranger: None of This Matters, Does It?
Ultimately, The Stranger works because it behaves like a slow-burn harrowing horror disguised as a romantic drama.
Inter Alia: Rosamund Pike and the Beautiful, Terrifying Myth of Having It All
The first half of Inter Alia is an abstract, non-linear character study that lives inside Jessica’s memories and hyper-vigilent headspace.
A Little Prayer: Parenting the Grown-Up Chaos
A Little Prayer, Angus MacLachlan’s quietly stunning 2023 drama, does exactly that – wrote Dora Endre about the film.