If I Had Legs I’d Kick You: A High-Wire Motherhood Ride
Welcome to A24’s If I Had Legs I’d Kick You, the darkly funny, intensely human, sometimes harrowing new film from Mary Bronstein.
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Welcome to A24’s If I Had Legs I’d Kick You, the darkly funny, intensely human, sometimes harrowing new film from Mary Bronstein.
Bugonia is, in the end, a chamber play wrapped in a dark comedy and a visual manifesto about our reckless stewardship of the world we inhabit.
Goodbye June, the 2025 drama marking Kate Winslet’s directorial debut, takes that scenario as its heart: gathering a fractured family around a dying matriarch and attempting to stitch together decades of tension.
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Welcome to A24’s If I Had Legs I’d Kick You, the darkly funny, intensely human, sometimes harrowing new film from Mary Bronstein.
Bugonia is, in the end, a chamber play wrapped in a dark comedy and a visual manifesto about our reckless stewardship of the world we inhabit.
Goodbye June, the 2025 drama marking Kate Winslet’s directorial debut, takes that scenario as its heart: gathering a fractured family around a dying matriarch and attempting to stitch together decades of tension.
The Smashing Machine, Benny Safdie’s first solo directorial and writing effort, asks his questions with uncompromising honesty.
Released this past September, The Lost Bus is based on real events from November 2018, when the Camp Fire tore through Paradise, California.
One of the most compelling aspects of Sentimental Value is its meditation on home and personal legacy.
What makes One Battle After Another remarkable is Anderson’s ability to juggle multiple storylines, genres and tones without losing coherence.
Orphan doesn’t fully blossom the way it could. The script’s emotional restraint and occasional heavy-handed dialogue keep us at a distance.
Peter Hujar’s Day is now playing in cinemas, so if you can, grab a ticket and experience it on the big screen.
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