Traumas of the past come to light in the sordidest ways – interview with Kristóf Kelemen
“You could think agent network was a hidden and secretive organization, but actually it happened in front of public eyes, invisibly.”
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The triplets who were 19 when they first met – interview with docu-director Tim Wardle
“When I showed them the finished film for the first time, and they loved it, there was the sense that I had delivered on my promise and that was great.”
Sliding metro doors changed his perception on art and reality – interview with Teun Vonk
“The culture of images might be harmful too. I want to make something where people can feel their body and they can focus on their physical existence.”
Dragonfly-man ~ A short story by Susan Anwin
The dragonfly-man dreamed its ageless, dreamless dreams of endless dimensions, of past, present and future and waited, while generations came and went…
Europe through the eyes of a Finnish and a Hungarian girl – interview with Jenna Jalonen
“Language was the base idea, and we moved towards culture, stereotypes, isolation, communication” – Jenna Jalonen on the performance ‘Long Time No See!’
Daddy is Driving the Car ~ A short story by Susan Anwin
Granny Ainsley chuckled. “Let’s just say one of your forefathers was a little too curious.” Her glance became distant, dreamy. “To see what’s out there.”
József Csató: Each and Every Kiss
József Csató melts past and present together, embraces our eyes and leads it from one image to the next. A vernissae in the Erika Deák Gallery.
Jazz Spring welcomes three great female jazz musicians this year
Jane Monheit can thank Ella Fitzgerald, Ida Nielsen to Prince, and Tia Fuller to Beyoncé that their career had a great start.
Éva was murdered with 13, now her diary is published on Instagram
Actors and actresses recall what happened to Éva in 1944 in Hungary: from discriminative laws through the ghetto until the transports to Auschwitz.
Fog-people ~ A short story by Susan Anwin
This time he didn’t watch out for the road. He heard sounds now, voices chanting, whispering, singing in an unknown language. He caught them from the corners of his eyes…
Trafó welcomes season 22 with new spaces – here are some visualizations
Trafó gets a metal skeleton, with insulation, covering and wood panels getting on it, most of them being prepared on the spot.
Why do musicians fear Rachmaninoff’s Piano Concerto No. 3?
“Rachmaninoff composed this peace to do whatever he wanted with the instrument he dominated. It was a demonstration of possibilities.”
People of the Green Cloud ~ A short story by Susan Anwin
…houses and bridges grew out of the trunks, an interconnected mesh of living green, under the green clouds, above the green mist…