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#Dora Endre #Faye

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.

#Dora Endre #Mickey 17

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.

#Dora Endre #The Last Showgirl

“The Last Showgirl” Review: When The Glitter Settles

At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.

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#Dora Endre #Faye

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

The new HBO documentary, directed by Laurent Bouzereau, attempts to reclaim the narrative for Faye Dunaway.

#Dora Endre #Mickey 17

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

In Mickey 17, Bong Joon Ho returns with a clone (or two) of an idea that feels both futuristic and strangely familiar.

#Dora Endre #The Last Showgirl

“The Last Showgirl” Review: When The Glitter Settles

At its core, The Last Showgirl is about identity. It meditates on the brutal honesty required to know where your talent lies.

#Dora Endre #I'm Still Here

I’m Still Here Review: When the Past Won’t Stay Silent

With his latest film, I’m Still Here, Walter Salles brings to the screen a deeply personal and politically urgent story.

#Dora Endre #Queer

“Queer” Review: Hon, Come As You Are

Guadagnino’s 2024 adaptation of Queer is based on the slim but powerful 1985 William S. Burroughs novella of the same name

#Dora Endre #Presence

Presence Review: Welcome to Soderbergh’s Haunted House

If you’re in the mood for something stranger, Presence is exactly the kind of cinematic experiment that you need to sign up for.

#Chariots of Fire #Dora Endre

Running on Principles: Revisiting Chariots of Fire

Set in the aftermath of World War I, Chariots of Fire captures a moment in time when the world was trying to figure out what came next.

#György Cserhalmi #Zoltán Latinovits

György Cserhalmi knows how and why Latinovits died

As I finished reading the book, I found myself wondering whether there is any aspect of life that György Cserhalmi does not speak about.

#Agnes Denes #Dora Endre

Artist, Eco-Pioneer and Rebel: Agnes Denes Harvests Wheat in Manhattan

Systems of Logic: The Art and Mind of Agnes Denes offers an immersive opportunity to experience the vast scope of her career.

Music

Style

Audio

Video

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

“The Last Showgirl” Review: When The Glitter Settles

Gallery

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

“The Last Showgirl” Review: When The Glitter Settles

I’m Still Here Review: When the Past Won’t Stay Silent

“Queer” Review: Hon, Come As You Are

Presence Review: Welcome to Soderbergh’s Haunted House

Running on Principles: Revisiting Chariots of Fire

György Cserhalmi knows how and why Latinovits died

Artist, Eco-Pioneer and Rebel: Agnes Denes Harvests Wheat in Manhattan

Dennis Edwards dead at 74

Baroque Soap Opera Reloaded

A series of Susan Anwin’s short stories is launching at Art Here Art Now tomorrow

Films to be broadcast in the Berlinale Classics 2018

Body as more than a mere object of desire – Jan Němec about František Drtikol

The story of El Paso lived in me in a brilliant way – interview with Winston Groom

Branford Marsalis: Playing with Sting for four years was a great experience

A series of Susan Anwin’s short stories is launching at Art Here Art Now tomorrow

Govt earmarks HUF 106 m for Subotica synagogue revamp

Here you can download ebooks legally and completely free

Best of 2021: Dora Endre’s list of movies +1

Best of 2021: Dora Endre’s list of movies V.

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

“The Last Showgirl” Review: When The Glitter Settles