Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara
A Good Day Will Come is a reflection of resilience and fighting for justice even under the heavy weights of political oppression.
A Good Day Will Come is a reflection of resilience and fighting for justice even under the heavy weights of political oppression.
The play Nye is coming to cinemas internationally and to NT Live, thanks to National Theatre’s five-star video production.
If you are looking for a film that offers laughs, wit, and a touch of history, A Private Function delivers.
Most of the original cast has returned to reprise their memorable roles, and it is clear they had a blast.
When Rose moves in with her daughter and new partner, an unexpected friendship blossoms, but not without its complications.
Daisy Ridley stars as Gertrude, and she does so with all the earnestness of someone who might have actually been born in a swimsuit.
The multi-story guest house is meticulously crafted, with staircases that almost seem to lead to heaven—symbolic of the family’s dreams.
At 96, James Ivory remains a vital figure in cinema. His influence is undeniable, most recently with Call Me by Your Name.
Vivian Maier’s hidden treasure trove of photographs was uncovered when one of her storage lockers was auctioned off due to unpaid bills.
A comparative review of performances of Every Brilliant Thing and Please Do Not Touch in two Coventry theatres.
Her infectious smile, spontaneous dance moves, and impromptu singing, on- and off-camera showcase, a life lived with passion and curiosity.
Rocco (Alain Delon) stands out as the idealistic, self-sacrificing brother who finds happiness in the little things.
Throughout history, artists have returned to the theme of the kiss, each time offering their unique interpretation.
As part of the centenary of her birth in 2023, Maria Callas’ story continues to captivate audiences in unexpected ways.
It is important to note that Challengers is not really a sports movie. Tennis is just a backdrop for the unfolding drama…
In Darfur and My Mother’s Funeral: The Show both ask uncomfortable yet quintessential questions of representation.
The actors’ try their best to get the most out of their clichéd characters, but The Lesson cannot be saved by their performances alone.
Yannick’s story is simple yet multidimensional, with unexpected beat shifts and long chains of tiny situations and conversations.
Hepburn, who won an Oscar for her role, reportedly never watched the movie, finding it too painful to see Tracy on screen.
In a surreal twist, Eric, born from Vincent’s drunken, drug-fueled night, manifests as a real entity, refusing to leave Vincent’s side.
Hepburn won four Academy Awards, which she repeatedly said she did not care about. “Put it in a bag or something,” she said.
The premise seems perfect for a classic Fargo-esque thriller, but it turns out to go much deeper than that.
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