The Night of the Hunter Turns 70: Mother Goose with a Shotgun Meets a Madman

A Real Pain Review: A Tender Journey of Heartache and Humor

“Parthenope” Review: Sorrentino’s Love-Hate Letter to Naples

Nightbitch Review: Wildly Unfiltered Womanhood

Heretic Review: Run Fast If You Hear The Words “Magic Underwear”

Juror #2 Review: Mr. Eastwood, We’re Not Ready to Say Goodbye

“Maria” Review: The Mandrax-Fueled Danse Macabre of La Divina

“Horizon: An American Saga – Chapter 1” Review: All Smoke and No Signal

Electra, My Love at 50: A Revolutionary Elegy in 12 Takes

“Mothers’ Instinct” Review: Perfume, Pastels and Friendship Apocalypse

I Went for a Run Review: Even If You Fall on Your Face, You Are Still Moving Forward

Dead Again Review: Did We Meet in a Past Life?

Sprint Review: Drive to Survive 2.0

Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara

“Nye” Review: A Politician Who Truly Cares

A Private Function Review: Remembering Dame Maggie Smith with Some Charming Chaos

Dying Review: We Should Talk About Everything

Beetlejuice Beetlejuice Review: Honey, The Juice Is Still Loose

Wicked Little Letters Review: Not Shutting Up Has Never Felt So Good

Young Woman and the Sea Review: Breaking Barriers and Jabbing Jellyfish

Cabaret Revival at the August Wilson Theater: In Here, Life is Beautiful

The Hills of California Review – Sisterhood and Strife by the Sea

An Evening with James Ivory: The Witty Maestro of Cinematic Elegance

Vivian Maier’s Unseen Work – From a Chicago Locker to Fotografiska

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