“Nye” Review: A Politician Who Truly Cares
The play Nye is coming to cinemas internationally and to NT Live, thanks to National Theatre’s five-star video production.
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A Private Function Review: Remembering Dame Maggie Smith with Some Charming Chaos
If you are looking for a film that offers laughs, wit, and a touch of history, A Private Function delivers.
Dying Review: We Should Talk About Everything
Every member of the Lunies family is struggling, and that struggle often takes the form of miscommunication and inherited trauma.
Beetlejuice Beetlejuice Review: Honey, The Juice Is Still Loose
Most of the original cast has returned to reprise their memorable roles, and it is clear they had a blast.
Wicked Little Letters Review: Not Shutting Up Has Never Felt So Good
When Rose moves in with her daughter and new partner, an unexpected friendship blossoms, but not without its complications.
Young Woman and the Sea Review: Breaking Barriers and Jabbing Jellyfish
Daisy Ridley stars as Gertrude, and she does so with all the earnestness of someone who might have actually been born in a swimsuit.
Cabaret Revival at the August Wilson Theater: In Here, Life is Beautiful
Before the show even begins, the mood is set—you are not just an audience member, you are a guest at the Kit Kat Club. Welcome to Berlin!
The Hills of California Review – Sisterhood and Strife by the Sea
The multi-story guest house is meticulously crafted, with staircases that almost seem to lead to heaven—symbolic of the family’s dreams.
An Evening with James Ivory: The Witty Maestro of Cinematic Elegance
At 96, James Ivory remains a vital figure in cinema. His influence is undeniable, most recently with Call Me by Your Name.
Vivian Maier’s Unseen Work – From a Chicago Locker to Fotografiska
Vivian Maier’s hidden treasure trove of photographs was uncovered when one of her storage lockers was auctioned off due to unpaid bills.
One-Man Shows and Square-Shaped Rows: Every Brilliant Thing and Please Do Not Touch
A comparative review of performances of Every Brilliant Thing and Please Do Not Touch in two Coventry theatres.
“Ágnes Keleti: Conquering Time” Review
Her infectious smile, spontaneous dance moves, and impromptu singing, on- and off-camera showcase, a life lived with passion and curiosity.
Rocco and His Brothers Review: Seeds That Are Meant to Bear Fruit
Rocco (Alain Delon) stands out as the idealistic, self-sacrificing brother who finds happiness in the little things.
More Than Meets the Lip: Dissecting Hayez’s Iconic Kiss
Throughout history, artists have returned to the theme of the kiss, each time offering their unique interpretation.
Behind the Scenes at La Scala: Diva, Drama and Fantasmagoria
As part of the centenary of her birth in 2023, Maria Callas’ story continues to captivate audiences in unexpected ways.
Challengers Review: From Love Game to Fault Line
It is important to note that Challengers is not really a sports movie. Tennis is just a backdrop for the unfolding drama…
Presentations of Representation: A Double Review of Two Coventry Shows
In Darfur and My Mother’s Funeral: The Show both ask uncomfortable yet quintessential questions of representation.
The Lesson: This is What Chewing on Plastic for 103 Minutes Must Feel Like
The actors’ try their best to get the most out of their clichéd characters, but The Lesson cannot be saved by their performances alone.
Yannick Review: Lick the Floor or Draw a Banana
Yannick’s story is simple yet multidimensional, with unexpected beat shifts and long chains of tiny situations and conversations.
Guess Who’s Coming to Dinner Review: A Love Story That Still Packs a Punch
Hepburn, who won an Oscar for her role, reportedly never watched the movie, finding it too painful to see Tracy on screen.
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