Hallow Road Review: No Parent Wants to Be Their Child’s Monster
Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.
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Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.
A Fish Called Wanda (1988) is now considered a comedy classic, directed by Charles Crichton, who came out of semi-retirement at the age of seventy-eight to take it on.
Despite its R rating, Weapons is not particularly frightening. What it offers instead is an uneasy mix of horror, folklore, dark comedy, and old-school small-town drama.
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Hallow Road isn’t just a clever genre exercise – it’s also about the everyday anxieties of parenting today.
A Fish Called Wanda (1988) is now considered a comedy classic, directed by Charles Crichton, who came out of semi-retirement at the age of seventy-eight to take it on.
Despite its R rating, Weapons is not particularly frightening. What it offers instead is an uneasy mix of horror, folklore, dark comedy, and old-school small-town drama.
László Krasznahorkai is a great epic writer in the Central European tradition that extends through Kafka to Thomas Bernhard.
Greenaway trusts the audience to engage visually and emotionally rather than merely following plot points.
Super/Man: The Christopher Reeve Story is a masterclass in humanizing an icon. It refuses to turn Reeve into a pristine, unreachable superhero.
Julie Keeps Quiet is not about sensational revelations. It’s about the slow internal process of recognizing harm.
He tells them he wants to center his new project around women – because, in his words, “women are my real diamonds.”
September 5 is a gripping, grounded, and unsettling new film about the 1972 Munich massacre, where eleven Israeli athletes, coaches…
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