„The Ghost of Richard Harris” Review: Unmasking the World’s Angriest Man
The Ghost of Richard Harris: a wonderfully shot and edited documentary introduces us to the enigmatic actor – a man of extremes.
Dora Endre
“Sick of Myself” Review: My Hospital Selfie Is Better Than Yours
Sick of Myself cleverly explores the lengths people go to feel noticed and valued – even if it means losing their authenticity.
„Where The Tracks End” Review: Clouds Taste Like Cotton Candy
Where the Tracks End: capturing the essence of the Mexican countryside with its sweeping landscapes and vibrant colors
„Beau Is Afraid” Review: Ballad of the Wounded Man-Child
The story revolves around Beau’s attempt to return home after a long absence – writes Dora Endre about the movie Beau is Afraid.
Neptune Frost: Open Your Soul and Dare to Give In
Young adults escape from their village, and establish a new, revolutionary collective against the ruling authoritarian regime.
Inside: Is No Man an Island or Every Man an Island?
Nemo, an artist turned art aficionado slash art thief, gets trapped inside a monochrome art gallery-esque penthouse.
After Yang Review: There Is No Something Without Nothing
Yang, a certified and refurbished AI assistant beloved by his human family, needs a quick fix after a sudden breakdown.
Saint Omer: Terribly Human Monsters
Saint Omer is an edgy and emotionally turbulent courtroom drama painted with thick brushstrokes of mystery.
Women Talking ~ a review by Dora Endre
The narration underlines the importance of early formative experience as well as the lingering presence of transgenerational traumas.
The Eight Mountains – Ode to the Friendships That Anchor Us
Following up on a promise Bruno has made to him, the two – now grown men – have the task to build a stone house in the mountains.
Emily the Criminal ~ a review by Dora Endre
Ford’s drama-thriller offers a strong social commentary – in relation to the hopelessness of career starters.
Aftersun ~ a review by Dora Endre
Charlotte Wells provides fading memories, fragile moments of unifying love and the inside view of a father-daughter duo’s last holiday.
Best underrated movies of 2022
Let’s see some of the best gems you have not seen and you should consider! Dora Endre lists the best underrated movies of 2022.
A Thursday: You Have One Hour
The new Indian thriller by Behzad Khambata (Blank) brings a shocking, sensitive and highly original concept to the screen.
Leave No Traces: How Far Would You Go for a Friend?
Leave No Traces: Cold War fear meets macro-scale espionage, investigative journalism and micro-level, personal stories.
The Lost City: Don’t Judge a Book by Its Cover
The Lost City is one of the most enjoyable cocktail comedies of this year. Not perfect – but never loses charm and pace.
Eating Our Way to Extinction: “I’m a Vegetarian and Pigs Are People Too”
Eating Our Way to Extinction uses intriguing examples, well-grounded information and experiments much with genre and form.
Meantime, A Time Capsule That Lost None Of Its Relevance
Meantime, made in 1983, deals with the early-life crisis and unemployment issues dominating Margaret Thatcher’s Britain.
Organic Collaborations and the Discipline of Creative Artists: Conversation with Legendary Filmmaker Mike Leigh
Mike Leigh: I sit down with the actors and get them to talk about lots and lots of people. And eventually, I choose somebody for them…
Here Before and the Blossoming of Female Led Psychological Thrillers
Here Before, Stacey Gregg’s feature film debut, is an inventive, crafty and most importantly confident piece of art.
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