What can we learn from collective forgetting? – new essay performance by Oliver Zahn will happen online
I had also always wanted to make a desktop-based performance, and the pandemic suddenly made a space for such works – Oliver Zahn says.
I had also always wanted to make a desktop-based performance, and the pandemic suddenly made a space for such works – Oliver Zahn says.
Rau uses the biography of the Belgium’s most notoriously shameful criminal to reflect on (re)presentation of human feelings on stage.
The ‘outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general – says Oliver Zahn.
The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.
Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?
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