Child actors evoke the story of a horrendous child killer on Trafó’s stage

Rau uses the biography of the Belgium’s most notoriously shameful criminal to reflect on (re)presentation of human feelings on stage.

Did the Nazis put their hand on our arm forever? – director Oliver Zahn on the art history of the outstreched arm

The ‘outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general – says Oliver Zahn.

Shoot above the crowd, then before their feet, and then shoot in the crowd

The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.

What’s the difference between refugees of WWII and today?

Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?

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