A Thursday: You Have One Hour
The new Indian thriller by Behzad Khambata (Blank) brings a shocking, sensitive and highly original concept to the screen.
Latest Posts
Leave No Traces: How Far Would You Go for a Friend?
Leave No Traces: Cold War fear meets macro-scale espionage, investigative journalism and micro-level, personal stories.
What is your Book of REB? – About ‘Prisoners of Beliefs’ by Richard Roe
In Prisoners of Beliefs, both the storyline and the cast of characters help us to delve into burning issues of our global society.
Two businesswomen from a century ago: The White Map by Cecilie Enger
Bertha and Hanna had no example to follow, they just went along with their own intuitions – says Cecilie Enger about the protagonists.
Youssou N’Dour: In Africa, music is never just entertainment
Youssou D’Nour – his outstanding vocal ability is combined with a natural ease that adds to the brilliance of his productions.
Diana Tishchenko: my music delivers messages in support of the Ukrainians
He has an intelligent approach to music – says Diana Tishchenko about concert and recording partner Zoltán Fejérvári.
The Montenegrin Guitar Duo at the Budapest International Guitar Festival
It is a great honour to welcome the Montenegrin Guitar Duo to the Budapest International Guitar Festival, subtitled ‘The Colours of Guitars’.
Ilona Prunyi gives special concert with three younger colleagues
Ilona Prunyi plays piano trios with Barnabás Kelemen and László Fenyő, and two-piano pieces with Gábor Farkas.
King Pomádé: György Ránki’s children’s opera is a parody of power
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
Liszt Fest: stars from Plácido Domingo to Víkingur Ólafsson
The outstanding quality, diversity of genres and richness of form that characterise Liszt’s oeuvre are fundamental to the Liszt Fest.
The Face in the Mirror: two men fall in love with the female clone
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.
Everyone should read Bergen Waltz
The deterrent force of trauma gets weaker and weaker, and suddenly the Bergen-Belsen experiences burst out of BIG.
A living composer in the spotlight: an evening with Judit Varga
I meet Gábor Boldoczki twice during this season, it was great to compose a new piece for him – says Judit Varga.