Regardless of Age
Language of music is universal; age and nationality are no barrier to musical dialogue.
Language of music is universal; age and nationality are no barrier to musical dialogue.
“Vibrato is like a disease. Leopold Mozart, who published his violin method in 1766, wrote that some players use it all the time, and their hand shakes as though they had fever.” BSF Magazine’s interview with Sir Roger Norrington.
Natalie Dessay has always been a self-aware artist: she took on roles rarely, so that she could give her utmost in them – and that is exactly what she did.
The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.
The storyteller is „simply” a girl, or more likely a bitter and disillusioned woman, who is remembering her youth years. And there is (naturally?) a man, addressed in this second person singular story…
“My father was a poor tailor’s mate with five children. It was no easy task, but finally I got from the ‘Ér [a river in Romania and Hungary] to the ocean’ as the saying goes”. The incredible story of Brigitta Kele.
Are they just “cute girls on a podium” who make “musicians think about other things”? No way! Let us introduce you some female conductors who simply rock in everything they do.
This year the PONT Festival, which specializes in such “treasure hunting tours in the attic”, concentrates on the coastal regions of the Mediterranean Sea, and aims to present the customs of the Easter celebrations.
I saw himself before me as a singer with relaxing baritone, never-ending concert tours, melancholic and meditative songs. But all the time, there was this little question on my mind…
He goes down in history as the first artist who sings and conducts simultaneously in one concert or recording.
Touching on the questions of the superficially constructed female values, Marge Monko examines the storytelling powers of commercialism’s impacts.
Nowadays these quarters offer the cheapest labour to the construction industry and other dangerous work. These workers have no insurance, no contract, and no any kind of welfare-service. They receive their daily payment in cash.
Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?
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