Ton Koopman comes with the mysterious Mass in B minor
“The most colourful work one can imagine” – says Ton Koopman who has an almost childlike enthusiasm for Bach’s art.
Sophie Hacsek (Managing Editor)
Ambrose Musiyiwa on poetry by migrants and the obligations of governments
Ambrose Musiyiwa hopes that the anthology will be a resource: “the voice of the people matters, we can influence what happens tomorrow”.
Kusturica brings a brutally awesome concert to the Müpa
Music has always played an important role in Kusturica’s films, but his relationship with music really took a serious turn later.
Dóra Pétery: I had a strange feeling while practising the first movement
Munch’s most famous painting appeared before me with a French ‘colour scheme’ – says organist Dóra Pétery.
María Pagés: flamenco is a genre for a lifetime
Let’s look a bit behind the scenes through the story of a world famous dancer, María Pagés. Soon at the Bartók Spring!
David Fray will play Beethoven in Budapest after 7 years
Some compare him to Glenn Gould, others contrast David Fray’s wild, life-affirming liberality with Gould’s precise, ascetic profundity.
Lina Cardoso Rodrigues: you need to find your inner silence and the melody in it
In case you have never heard of Portuguese fado music, Lina Cardoso Rodrigues should be your authentic source to get to know it!
Bartók Spring comes with a Bosch exhibition and special premieres
Although we are just entering winter, Müpa Budapest is already preparing for its 2nd Bartók Spring International Art Weeks.
Duruflé – Bach – Szathmáry: hear the organ with 6,804 pipes!
Duruflé: “This Requiem is not an ethereal work. It reflects the anguish of man confronted with the mystery of his destiny.”
László Kollár-Klemencz: I don’t want to be a retro concert musician
It is important to deal with songs with a progressive approach, while respecting the values of old music – says László Kollár-Klemencz.
Levon Eskenian: Bartók got to Armenians only after the genocide
In the past, I had an impressive discussion with Levon Eskenian, leader of Armenian Gurdjieff Ensemble. Now again – but many things changed.
Lucrezia Borgia rules over life and death – says director Ferenc Anger
In fact, Lucrezia Borgia is a Renaissance person who combines the sciences and the arts. A semi-staged opera in the Müpa.
Lucie Horsch: the new piece is a result of a past encounter in Budapest
Rising Stars: three-day festival and six concerts in the Müpa. We asked Dutch Lucie Horsch before the beginning of the adventure.
Lost his son, could never move on: an astonishing and tragic life
Pianist György Cziffra described himself as a man who had set out from shocking poverty to conquer the world’s music stages.
Here, Romanians, Hungarians and the Roma coexist peacefully – interview with Zsolt Juhász
Dance of the Mezőség is very unified, but every ethnic group has its own traits. It was a difficult task for the dancers and musicians…
The Sounds of Freedom are coming to be heard
The three highly impressive and captivating works will be performed by Gábor Hollerung and the Budafok Dohnányi Orchestra at the Liszt Fest.
Musical genius in Budapest: is Cory Henry the new Franz Liszt?
A contemporary artist whose life, works, stage performance can evoke the Liszt phenomenon. Cory Henry presents his new album in Budapest.
Franz Liszt: “the concert is me!” – Passionate rhapsodies on stage
Gypsy music, which Liszt described as unusual and daring at the time, is an exquisite source of inspiration for the genre of rhapsody.
Transporters didn’t need an update; rape is, unfortunately, an eternal topic
There are several characters in this story: “the transporters” themselves, the rapists, or the mother, and a little girl.
Norbert Káel: it was a part of Liszt’s rockstar image to be charming
Liszt Fest is a great opportunity for the Jazzical Trio to show how he was a modern composer who can still be relevant today.