Leave No Traces: How Far Would You Go for a Friend?
Leave No Traces: Cold War fear meets macro-scale espionage, investigative journalism and micro-level, personal stories.
Sophie Hacsek (Managing Editor)
What is your Book of REB? – About ‘Prisoners of Beliefs’ by Richard Roe
In Prisoners of Beliefs, both the storyline and the cast of characters help us to delve into burning issues of our global society.
Two businesswomen from a century ago: The White Map by Cecilie Enger
Bertha and Hanna had no example to follow, they just went along with their own intuitions – says Cecilie Enger about the protagonists.
Youssou N’Dour: In Africa, music is never just entertainment
Youssou D’Nour – his outstanding vocal ability is combined with a natural ease that adds to the brilliance of his productions.
Diana Tishchenko: my music delivers messages in support of the Ukrainians
He has an intelligent approach to music – says Diana Tishchenko about concert and recording partner Zoltán Fejérvári.
The Montenegrin Guitar Duo at the Budapest International Guitar Festival
It is a great honour to welcome the Montenegrin Guitar Duo to the Budapest International Guitar Festival, subtitled ‘The Colours of Guitars’.
Ilona Prunyi gives special concert with three younger colleagues
Ilona Prunyi plays piano trios with Barnabás Kelemen and László Fenyő, and two-piano pieces with Gábor Farkas.
King Pomádé: György Ránki’s children’s opera is a parody of power
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
Liszt Fest: stars from Plácido Domingo to Víkingur Ólafsson
The outstanding quality, diversity of genres and richness of form that characterise Liszt’s oeuvre are fundamental to the Liszt Fest.
The Face in the Mirror: two men fall in love with the female clone
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.
Everyone should read Bergen Waltz
The deterrent force of trauma gets weaker and weaker, and suddenly the Bergen-Belsen experiences burst out of BIG.
A living composer in the spotlight: an evening with Judit Varga
I meet Gábor Boldoczki twice during this season, it was great to compose a new piece for him – says Judit Varga.
Góbé is 15! – Birthday concert in the Müpa
The music of Góbé is based on associations – between folk melodies, popular music and classical music. Interview with band members.
Mihály Dresch: like snipers, they shoot at you
Today I still have my feelings and my truths, but I have refined my things – says legendary musician Mihály Dresch.
Tcha Limberger learned Hungarian to play Hungarian music
One can indeed love Hungarian ‘nóta’ and authentic folk music at the same time – says multi-instrumentalist Tcha Limberger.
A duel on organ: László Fassang and Sietze de Vries
As László Fassang believes, “the music that comes out of your listening ears can turn the audience into a spirited, vibrant community”.
Ripoff Raskolnikov and his band plays with root-rock star Dawn Brothers
Although Ripoff Raskolnikov Band and Dawn Brothers members have been long-time music acquaintances, this is their first joint concert.
Metropole Orkest: Arakatak – music of hope and joy
The Metropole Orkest, a vibrant, experimental and ever-renewing Dutch orchestra, will open the Bridging Europe Festival.
Irie Maffia goes back to the roots – interview with MC Columbo
We interviewed MC Columbo, one of the founders and bandleader of Irie Maffia, about the concert at the Müpa and many more.
The Lost City: Don’t Judge a Book by Its Cover
The Lost City is one of the most enjoyable cocktail comedies of this year. Not perfect – but never loses charm and pace.