Best of 2021: Dora Endre’s list of movies III.
Dora Endre, Hungarian artist, brings us the best movies of the past year. The third one is Riders of Justice.
Dora Endre, Hungarian artist, brings us the best movies of the past year. The third one is Riders of Justice.
Dora Endre, Hungarian artist, brings us the best movies of the past year. The second one is a Greek movie called Apples.
Dora Endre, Hungarian artist, brings us the best movies of the past year. The first one is “Quo Vadis, Aida?”.
Music has always played an important role in Kusturica’s films, but his relationship with music really took a serious turn later.
American distributor Focus Features LLC has struck a deal to distribute worldwide British-Hungarian co-production Mrs. Harris Goes to Paris starring…
We wanted to show the loneliness of the life of a piano when there are no concerts, until someone special comes by…
Gábor Gyukics contributed to an online cultural event, UnDeR SZubCulT, where he recited poems in English and Hungarian.
Péter Forgács’s video work Venom will be exhibited at the artgenève international art fair in Switzerland by the Ani Molnár Gallery.
The parents didn’t understand what is happening to their sons. Then one day, when the boys were almost twenty already, truth came to light…
“When I showed them the finished film for the first time, and they loved it, there was the sense that I had delivered on my promise and that was great.”
Actors and actresses recall what happened to Éva in 1944 in Hungary: from discriminative laws through the ghetto until the transports to Auschwitz.
They liberated dancers from following the rhythm, the tonality, or the structure of music; everything exists on its own in the same space and time.
After Waldheim was elected, big discussions started. Nowadays, nobody would call Austria a victim of the war. The history books changed.
The Croatian movie Srbenka received The Human Rights Film Award of the Verzió 15 International Human Rights Film Festival in Budapest. We interviewed the director Nebojša Slijepčević.
In The Limits of Work, journalist Saša Uhlová used hidden camera to find out some of the ugly truths of work.
The documentary Occupation 1968 shows the events from a rather unusual perspective: of these five countries rather than of the victim’s.
Nowadays these quarters offer the cheapest labour to the construction industry and other dangerous work. These workers have no insurance, no contract, and no any kind of welfare-service. They receive their daily payment in cash.
Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?
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