Electra, My Love at 50: A Revolutionary Elegy in 12 Takes

“Mothers’ Instinct” Review: Perfume, Pastels and Friendship Apocalypse

I Went for a Run Review: Even If You Fall on Your Face, You Are Still Moving Forward

Dead Again Review: Did We Meet in a Past Life?

Sprint Review: Drive to Survive 2.0

Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara

“Nye” Review: A Politician Who Truly Cares

A Private Function Review: Remembering Dame Maggie Smith with Some Charming Chaos

Dying Review: We Should Talk About Everything

Beetlejuice Beetlejuice Review: Honey, The Juice Is Still Loose

Wicked Little Letters Review: Not Shutting Up Has Never Felt So Good

Young Woman and the Sea Review: Breaking Barriers and Jabbing Jellyfish

Cabaret Revival at the August Wilson Theater: In Here, Life is Beautiful

The Hills of California Review – Sisterhood and Strife by the Sea

An Evening with James Ivory: The Witty Maestro of Cinematic Elegance

Vivian Maier’s Unseen Work – From a Chicago Locker to Fotografiska

One-Man Shows and Square-Shaped Rows: Every Brilliant Thing and Please Do Not Touch

“Ágnes Keleti: Conquering Time” Review

Rocco and His Brothers Review: Seeds That Are Meant to Bear Fruit

More Than Meets the Lip: Dissecting Hayez’s Iconic Kiss

Behind the Scenes at La Scala: Diva, Drama and Fantasmagoria

Challengers Review: From Love Game to Fault Line

Presentations of Representation: A Double Review of Two Coventry Shows

The Lesson: This is What Chewing on Plastic for 103 Minutes Must Feel Like

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