Disclaimer Review: The Fiction We Call Reality

The Outrun Review: The Colorful Sinks and Swells of Recovery

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

“The Last Showgirl” Review: When The Glitter Settles

I’m Still Here Review: When the Past Won’t Stay Silent

“Queer” Review: Hon, Come As You Are

Presence Review: Welcome to Soderbergh’s Haunted House

Running on Principles: Revisiting Chariots of Fire

György Cserhalmi knows how and why Latinovits died

Artist, Eco-Pioneer and Rebel: Agnes Denes Harvests Wheat in Manhattan

The Brutalist Review: Wrecking Ball to the American Dream

Anora Review: Tinsel In Her Hair, Hole In Her Heart

There’s Still Tomorrow Review: The Film That Italians Chose Over Barbie and Oppenheimer

Babygirl Review: Pornhub Vibes and an A-List Cast

Bunny Lake Is Missing Review: 60 Years Since She Disappeared

The Night of the Hunter Turns 70: Mother Goose with a Shotgun Meets a Madman

A Real Pain Review: A Tender Journey of Heartache and Humor

“Parthenope” Review: Sorrentino’s Love-Hate Letter to Naples

Nightbitch Review: Wildly Unfiltered Womanhood

Heretic Review: Run Fast If You Hear The Words “Magic Underwear”

Juror #2 Review: Mr. Eastwood, We’re Not Ready to Say Goodbye

“Maria” Review: The Mandrax-Fueled Danse Macabre of La Divina

“Horizon: An American Saga – Chapter 1” Review: All Smoke and No Signal

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