Weapons Review: Gone Baby Gone

Hungarian author László Krasznahorkai wins Nobel Literature Prize

The Cook, the Thief, His Wife and Her Lover: The Grand Feast of a Tyrant – Greenaway’s film

Super/Man: The Christopher Reeve Story: Beyond the Cape

Julie Keeps Quiet Review: Breaking the Cycle

Diamonds Review: Can Women Be Cut Like Gems?

September 5 Review: Tragedy, Live From Munich

Goebbels and the Führer Review: A Heavy-Handed Recount of the Propaganda Machinery

Disclaimer Review: The Fiction We Call Reality

The Outrun Review: The Colorful Sinks and Swells of Recovery

“Faye” Review: The Making of Hollywood’s Most Difficult Woman

“Mickey 17” Review: Pattinson Dies (Well, a Lot) But Capitalism Lives On

“The Last Showgirl” Review: When The Glitter Settles

I’m Still Here Review: When the Past Won’t Stay Silent

“Queer” Review: Hon, Come As You Are

Presence Review: Welcome to Soderbergh’s Haunted House

Running on Principles: Revisiting Chariots of Fire

György Cserhalmi knows how and why Latinovits died

Artist, Eco-Pioneer and Rebel: Agnes Denes Harvests Wheat in Manhattan

The Brutalist Review: Wrecking Ball to the American Dream

Anora Review: Tinsel In Her Hair, Hole In Her Heart

There’s Still Tomorrow Review: The Film That Italians Chose Over Barbie and Oppenheimer

Babygirl Review: Pornhub Vibes and an A-List Cast

Bunny Lake Is Missing Review: 60 Years Since She Disappeared

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