I Went for a Run Review: Even If You Fall on Your Face, You Are Still Moving Forward
In a world increasingly divided by differences, Gábor Herendi’s I Went for a Run reminds us how much more unites us.
Film
Dead Again Review: Did We Meet in a Past Life?
This 1991 film weaves elements of mystery, investigation, and reincarnation into a story that’s both chaotic, witty and creative.
Sprint Review: Drive to Survive 2.0
The expectations were high. But did Phil Turner’s Sprint cross the finish line, or did it trip over its own laces?
Wrestling with Justice: Reviewing A Good Day Will Come with Amir Zargara
A Good Day Will Come is a reflection of resilience and fighting for justice even under the heavy weights of political oppression.
A Private Function Review: Remembering Dame Maggie Smith with Some Charming Chaos
If you are looking for a film that offers laughs, wit, and a touch of history, A Private Function delivers.
Dying Review: We Should Talk About Everything
Every member of the Lunies family is struggling, and that struggle often takes the form of miscommunication and inherited trauma.
Beetlejuice Beetlejuice Review: Honey, The Juice Is Still Loose
Most of the original cast has returned to reprise their memorable roles, and it is clear they had a blast.
Wicked Little Letters Review: Not Shutting Up Has Never Felt So Good
When Rose moves in with her daughter and new partner, an unexpected friendship blossoms, but not without its complications.
Young Woman and the Sea Review: Breaking Barriers and Jabbing Jellyfish
Daisy Ridley stars as Gertrude, and she does so with all the earnestness of someone who might have actually been born in a swimsuit.
An Evening with James Ivory: The Witty Maestro of Cinematic Elegance
At 96, James Ivory remains a vital figure in cinema. His influence is undeniable, most recently with Call Me by Your Name.
“Ágnes Keleti: Conquering Time” Review
Her infectious smile, spontaneous dance moves, and impromptu singing, on- and off-camera showcase, a life lived with passion and curiosity.
Rocco and His Brothers Review: Seeds That Are Meant to Bear Fruit
Rocco (Alain Delon) stands out as the idealistic, self-sacrificing brother who finds happiness in the little things.
More Than Meets the Lip: Dissecting Hayez’s Iconic Kiss
Throughout history, artists have returned to the theme of the kiss, each time offering their unique interpretation.
Challengers Review: From Love Game to Fault Line
It is important to note that Challengers is not really a sports movie. Tennis is just a backdrop for the unfolding drama…
The Lesson: This is What Chewing on Plastic for 103 Minutes Must Feel Like
The actors’ try their best to get the most out of their clichéd characters, but The Lesson cannot be saved by their performances alone.
Yannick Review: Lick the Floor or Draw a Banana
Yannick’s story is simple yet multidimensional, with unexpected beat shifts and long chains of tiny situations and conversations.
Guess Who’s Coming to Dinner Review: A Love Story That Still Packs a Punch
Hepburn, who won an Oscar for her role, reportedly never watched the movie, finding it too painful to see Tracy on screen.
Eric Review: Where Our Monsters Live
In a surreal twist, Eric, born from Vincent’s drunken, drug-fueled night, manifests as a real entity, refusing to leave Vincent’s side.
“Call Me Kate” Review: Celebrating the Coolest Icon in Hollywood History
Hepburn won four Academy Awards, which she repeatedly said she did not care about. “Put it in a bag or something,” she said.
Only the Animals Review: Love Means Giving What You Don’t Have
The premise seems perfect for a classic Fargo-esque thriller, but it turns out to go much deeper than that.
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