„Don’t Look Now” Review: Happy 50th Anniversary to the Roeg Classic!
Julie Christie and Donald Sutherland portray grieving parents navigating a series of perplexing and unsettling events…
Film
„The Pod Generation” Review: Giving Birth to a Hard Boiled Egg
In this futuristic world, the Womb Centre offers a unique and expensive solution: portable, egg-like pods allow babies to develop…
„Oppenheimer” Review: A Naive Genius and His Moral Quandaries
Oppenheimer is frequently called the „father of the atomic bomb” – his memento is ethically controversial to say the least.
„Stewart” Review: The Flying Scot Beats One Goliath After Another
We follow Sir Jackie Stwart on a wild ride that goes from the roaring motorsports scene to exploring profound themes…
„Dalíland” Review: Building the Ultimate Pink Pr*ck
“Dalíland” takes us on a journey into the world of the legendary surrealist artist Salvador Dalí. A review by Dora Endre.
“Renfield” Review: A Handful of Nuns and a Busload of Cheerleaders
According to our story, Renfield lives to fulfill his master Dracula’s twisted wishes, no matter how depraved they may be.
„Villeneuve Pironi” Review: Racing’s Untold Tragedy Told in a Lousy Way
Undoubtedly, “Villeneuve Pironi” truly shines when it explores the untold stories of the women behind these legendary drivers.
“Beautiful Beings” Review: Someone Lifted Me Out of the Sea
When we meet 14-year-old protagonist of Beautiful Beings, he endures bullying, physical violence, and emotional torment.
Jennifer “Jini” Lash: Extraordinary Novelist and Matriarch of the Fiennes Family
In the realm of celebrities, where actors and filmmakers take center stage, there exists a hidden gem—a woman named Jennifer Lash.
„The Ghost of Richard Harris” Review: Unmasking the World’s Angriest Man
The Ghost of Richard Harris: a wonderfully shot and edited documentary introduces us to the enigmatic actor – a man of extremes.
“Sick of Myself” Review: My Hospital Selfie Is Better Than Yours
Sick of Myself cleverly explores the lengths people go to feel noticed and valued – even if it means losing their authenticity.
„Where The Tracks End” Review: Clouds Taste Like Cotton Candy
Where the Tracks End: capturing the essence of the Mexican countryside with its sweeping landscapes and vibrant colors
„Beau Is Afraid” Review: Ballad of the Wounded Man-Child
The story revolves around Beau’s attempt to return home after a long absence – writes Dora Endre about the movie Beau is Afraid.
Neptune Frost: Open Your Soul and Dare to Give In
Young adults escape from their village, and establish a new, revolutionary collective against the ruling authoritarian regime.
Inside: Is No Man an Island or Every Man an Island?
Nemo, an artist turned art aficionado slash art thief, gets trapped inside a monochrome art gallery-esque penthouse.
After Yang Review: There Is No Something Without Nothing
Yang, a certified and refurbished AI assistant beloved by his human family, needs a quick fix after a sudden breakdown.
Saint Omer: Terribly Human Monsters
Saint Omer is an edgy and emotionally turbulent courtroom drama painted with thick brushstrokes of mystery.
Women Talking ~ a review by Dora Endre
The narration underlines the importance of early formative experience as well as the lingering presence of transgenerational traumas.
The Eight Mountains – Ode to the Friendships That Anchor Us
Following up on a promise Bruno has made to him, the two – now grown men – have the task to build a stone house in the mountains.
Emily the Criminal ~ a review by Dora Endre
Ford’s drama-thriller offers a strong social commentary – in relation to the hopelessness of career starters.
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