Why did Liszt never finish the opera Sardanapalo?
Revolution, betrayal, a mysterious poet, renewing and inventing genres: the meta story of Sardanapalo is pure adventure itself!
Liszt Fest
Liszt Fest programme announced at unusual card game
Liszt Fest returns in 2023 too! The press was invited to attend a gathering where a card game was played and programmes announced.
Liszt Fest: stars from Plácido Domingo to Víkingur Ólafsson
The outstanding quality, diversity of genres and richness of form that characterise Liszt’s oeuvre are fundamental to the Liszt Fest.
Tcha Limberger learned Hungarian to play Hungarian music
One can indeed love Hungarian ‘nóta’ and authentic folk music at the same time – says multi-instrumentalist Tcha Limberger.
Here, Romanians, Hungarians and the Roma coexist peacefully – interview with Zsolt Juhász
Dance of the Mezőség is very unified, but every ethnic group has its own traits. It was a difficult task for the dancers and musicians…
The Sounds of Freedom are coming to be heard
The three highly impressive and captivating works will be performed by Gábor Hollerung and the Budafok Dohnányi Orchestra at the Liszt Fest.
Musical genius in Budapest: is Cory Henry the new Franz Liszt?
A contemporary artist whose life, works, stage performance can evoke the Liszt phenomenon. Cory Henry presents his new album in Budapest.
Franz Liszt: “the concert is me!” – Passionate rhapsodies on stage
Gypsy music, which Liszt described as unusual and daring at the time, is an exquisite source of inspiration for the genre of rhapsody.
Transporters didn’t need an update; rape is, unfortunately, an eternal topic
Concert-opera or not, music and real or imagined stage events together create the effect – says creator Gergely Vajda.
Norbert Káel: it was a part of Liszt’s rockstar image to be charming
I am close to the Liszt who, in his old age, got fed up with success and glamour and made a complete dimensional change when he abandoned it.
Four premieres, one basic piece: old and new generations of the Eötvös Foundation
If a profession has its masters, “the wise old”, we can learn from them at any age. That is what current mentees of the Eötvös Foundation do.
New opera-musical version of The Master and Margarita – interview with director Vajk Szente
The music is exciting: classical opera on the one hand, rock music on the other, and thirdly, there are musical elements – says the director.
Wandering Jew, Weimar’s Dead, Fathers’ Crypt: songs by Liszt at the Liszt Fest
Thomas Hampson, one of the best baritones in the US, deals a lot with songs of the age of Romaticism. Coming soon at the Liszt Fest!
The storming organ playing of Martin Sturm at the Liszt Fest
The youngest professor at the Weimar Academy of Music will play the magnificent, richly coloured sounding organ of the St. Teresa of Avila Parish Church.
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