Tromba Veneziana – the attraction of Venice and early music
The Tromba Veneziana concert program, named after Gábor Boldoczki’s album, is set to be performed by the Wroclaw Baroque Orchestra.
The Tromba Veneziana concert program, named after Gábor Boldoczki’s album, is set to be performed by the Wroclaw Baroque Orchestra.
A heart attack delayed his journey back to Europe with two years. His symphonic serenade was played by the Vienna Philharmonics in 1950.
Prokofiev Marathon in the Müpa! Meet the genius who sometimes composed 14 hours in a row and skipped meals for it…
Edina Szvoren is a master of contemporary Hungarian short stories and one of the most original voices in Hungary.
Rachmaninoff’s music is close to me, which mostly comes from my family – says pianist Anton Gerzenberg before his Budapest concert.
The tradition of performing The Seasons at a New Year’s concert appears to go back a long way: the first performance happened in 1900.
This production was born from a mixture of peasant folklore and imagination, and was first performed at Müpa Budapest in 2018.
Catalina Vicens brings us the atmosphere of medieval advent and Christmas to us with authentic tools and the help of the best contributors.
My music includes where I come from: the Algerian Arabic milieu. It includes European classical music. It includes rock and soul.
Kristály is an ice queen who suffers from a broken heart and freezes the world around her, not wanting to let any emotion in anymore.
This time, Dénes Pál and Dóri Behumi will sing works by legendary Hungarian singers Pál Szécsi, Péter Máté and Kati Kovács.
Youssou D’Nour – his outstanding vocal ability is combined with a natural ease that adds to the brilliance of his productions.
He has an intelligent approach to music – says Diana Tishchenko about concert and recording partner Zoltán Fejérvári.
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
The outstanding quality, diversity of genres and richness of form that characterise Liszt’s oeuvre are fundamental to the Liszt Fest.
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.
I meet Gábor Boldoczki twice during this season, it was great to compose a new piece for him – says Judit Varga.
The music of Góbé is based on associations – between folk melodies, popular music and classical music. Interview with band members.
Today I still have my feelings and my truths, but I have refined my things – says legendary musician Mihály Dresch.
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