We aim to impress fans of big musical emotions – interview with conductor Erki Pehk
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
To these driving rhythms and storytelling melodies, the quintet adds improvisations and orchestrations with various tones to fully realise their captivating power.
Following its highly successful premiere in Munich, Pathos Theater, the Bavarian capital’s largest independent company will bring their experimental Faust performance to CAFe Budapest Contemporary Arts Festival audiences.
Ever since Dean Brown completed his studies at the famous Berklee College of Music in Boston, he has always been the first name to call if a supergroup finds itself needing a jazz-rock guitarist…
The Sinfonietta Riga formed in 2006 with the intent of showcasing vibrant and rich Baltic contemporary music to the world. Their ideas and musical conceptualisations and endeavours have been rewarded with a Grammy Award, amonf others…
Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?
Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.
We are pleased to invite artists, arts managers and curators from all arts disciplinary backgrounds from 37 eligible countries to apply for the ArtsLink International Fellowships.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
He composed with sixteen already, but rejects the elitist attitude of the classical music scene and goes his own path – which includes a lot. The intriguing life story of Ólafur Arnalds with drumming, existential questions, robots, lost harmony and regained silence…
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
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