Some little miracles in life that I got from dance

Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.

Human voice is the most wonderful prop for dance – choreographer Maurice Béjart’s thoughts on The Magic Flute

“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.

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