Silence in the place of sound – but what in the place of silence? Remembering Dezső Tandori

He created an own universe, went on his own path, and after his poetry arrived to collective consciousness, no one could think the same old ways anymore.

Exploring the idea of the collective between utopia and instrumentalization

For “Coexist”, Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.

Electra is a murderer in my view – says choreographer János Feledi

Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.

Japanese lady found alternative ways that led to Hungarian composer – interview with Ryoko Aoki

After the concert, Toshio Hosokawa introduced me to Peter. He knew that I am Noh singer, he said “Please sing my piece Harakiri”.

These three films can profoundly change audience’s view on dance – interview with Gábor Pintér

They liberated dancers from following the rhythm, the tonality, or the structure of music; everything exists on its own in the same space and time.

Stars of talent shows who won much more than fame

After years of hard work, practice, success in closer circles, many musicians really deserve national recognition and money. And there are some people who win even more in a talent show… Just like these three musicians.

How to hold the fan if you want to express your love?

Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?

Some little miracles in life that I got from dance

Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.

Human voice is the most wonderful prop for dance – choreographer Maurice Béjart’s thoughts on The Magic Flute

“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.

Women and men on stage play roles, I went for the individual – interview with choreographer Andrea Mészöly

“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.

Scientific, Fantastic Dance

In his Autobiography, Wayne McGregor gives a synthesis of everything that he knows, thinks, and feels about dance and humankind. And of what he has discovered, this time through his own genome.

I will wait for you – Arno Schuitemaker’s dance performances

To create his most personal work to date, Arno Schuitemaker took the elusive nature of love as his source of inspiration.

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