Cabaret Revival at the August Wilson Theater: In Here, Life is Beautiful
Before the show even begins, the mood is set—you are not just an audience member, you are a guest at the Kit Kat Club. Welcome to Berlin!
The multi-story guest house is meticulously crafted, with staircases that almost seem to lead to heaven—symbolic of the family’s dreams.
A comparative review of performances of Every Brilliant Thing and Please Do Not Touch in two Coventry theatres.
In Darfur and My Mother’s Funeral: The Show both ask uncomfortable yet quintessential questions of representation.
St. Ann’s Warehouse, transformed from an industrial warehouse to a contemporary theatre, serves as the perfect venue for The Hunt.
In the Drip Canon, the Eastern mindset is very strong, and Heraclitus is the most ‘Eastern’ Greek philosopher for me – says Gábor Goda.
Liszt Fest returns in 2023 too! The press was invited to attend a gathering where a card game was played and programmes announced.
The performance explains the infidelity of a woman who cannot forget her first and true love and flees her bad marriage.
Debussy: “I wished music to have such freedom to which it is probably better suited than any other art form…”
A wise woman who, realising her age, gives up her much younger love for a young and beautiful heiress in Der Rosenkavalier.
Castor and Pollux are indeed twin brothers, but from two different fathers. Pollux, Zeus’ son, is immortal, but Castor is mortal…
This production was born from a mixture of peasant folklore and imagination, and was first performed at Müpa Budapest in 2018.
Kristály is an ice queen who suffers from a broken heart and freezes the world around her, not wanting to let any emotion in anymore.
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.