Two businesswomen from a century ago: The White Map by Cecilie Enger
Bertha and Hanna had no example to follow, they just went along with their own intuitions – says Cecilie Enger about the protagonists.
Bertha and Hanna had no example to follow, they just went along with their own intuitions – says Cecilie Enger about the protagonists.
Youssou D’Nour – his outstanding vocal ability is combined with a natural ease that adds to the brilliance of his productions.
He has an intelligent approach to music – says Diana Tishchenko about concert and recording partner Zoltán Fejérvári.
It is a great honour to welcome the Montenegrin Guitar Duo to the Budapest International Guitar Festival, subtitled ‘The Colours of Guitars’.
Ránki originally wrote King Pomádé as a children’s radio opera in 1950, and three years later adapted it into a full-length stage work.
The outstanding quality, diversity of genres and richness of form that characterise Liszt’s oeuvre are fundamental to the Liszt Fest.
Face in the Mirror turns our image of the world upside down: the clone is more human than the person coming from a mother’s womb.
The deterrent force of trauma gets weaker and weaker, and suddenly the Bergen-Belsen experiences burst out of BIG.
I meet Gábor Boldoczki twice during this season, it was great to compose a new piece for him – says Judit Varga.
The music of Góbé is based on associations – between folk melodies, popular music and classical music. Interview with band members.
Today I still have my feelings and my truths, but I have refined my things – says legendary musician Mihály Dresch.
One can indeed love Hungarian ‘nóta’ and authentic folk music at the same time – says multi-instrumentalist Tcha Limberger.
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