Falcon Feather ~ Chapter 4 ~ by Susan Anwin

“She was floating. There were no memories, just the the silence and the dark and and it was alright…” Read the last part of the saga Falcon Feathers here!

Falcon Feather ~ Chapter 3 ~ by Susan Anwin

“Couriers galloped up and down along the length of the procession, cart drivers cried out. The harness tightened across the backs of the oxen.”

There should be no sacred cows in arts – interview with choreographer Roy Assaf

I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year – Roy Assaf recalls.

Falcon Feather ~ Chapter 2 ~ by Susan Anwin

“Blood and soul, flesh and bone,” she recited the ritual text. “Take whichever you like.” “Your hand will do…” Falcon Feather, a new story by Susan Anwin.

Falcon Feather ~ Chapter 1 ~ by Susan Anwin

“There is something up on the hill,” the baroness told her maid that evening, “something evil.” ~ Falcon Feather, a new story by Susan Anwin.

I told the dancers: we will be music, guys! – interview with Christos Papadopoulos

There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. ‘Opus’, performed in the Trafó.

Sufi poets are humanist and ageless – interview with Persian singer Alireza Ghorbani

These poets are still quoted because they talk about the moral roots of humanity – says Alireza Ghorbani who will sing a bunch of their poems soon.

It’s easier to wait for Christmas with Bach’s music! – interview with conductor Marcus Creed

A wonderful concert that features festive and Christmas-related works by Bach. Two ensembles, five soloists – and their conductor, Marcus Creed.

Bass-baritone Bryn Terfel comes to his Budapest concert with a rugby shirt and some honey

Bryn Terfel was the second artist to get the Queen’s Medal for Music, founded by Elizabeth II, as an approval for an extraordinary musical career.

Medical student in Pécs: Classical Chill Out enhances our student experience fundamentally

For beginners in the world of classical music, this is a good place to start – says international student Tuva Stranger on the Classical Chill Out concerts.

Müpa Winter Open Air: Family fun from advent-eco-concert to nativity masquerade

A family concert, a hot chocolate, and a few rounds of skating surely help us all to get in Christmas mood. Come to the Müpa Winter Open Air!

How Danyèl Waro from Réunion discovered folk music as a mean of fight against oppression

In the first twenty years of my career, playing maloya was something to fight for, not to live from – says Danyel Waro, the “proud bastard” of Réunion.

Silence in the place of sound – but what in the place of silence? Remembering Dezső Tandori

He created an own universe, went on his own path, and after his poetry arrived to collective consciousness, no one could think the same old ways anymore.

An eternal mystery: Cécile McLorin Salvant lets her hoarse voice fly

Three years after her first Budapest concert, she is coming back as part of a duo with New Orleans pianist Sullivan Fortner.

Some Favourites of the Erdődy Orchestra – interview with Zsolt Szefcsik

Innovative spirit, rediscovery of forgotten pieces, playing at unusual places, contributing to Polish-Hungarian siblinghood: this is the Erdődy Orchestra.

Can physical theatre and circus visualize totalitarian dictatorship? – Alexander Vantournhout and the Red-Haired Men

It will work out very well in Trafó to awake feelings with the mere method of looking at people – says Alexander Vantournhout.

Annunciation ~ A short story by Susan Anwin

I felt like the bottom of my world fell out. How was I supposed to break down the news to my parents? What was I supposed to tell them?

Music that shows you how deep can silence be – interview with James Wood

Rumi always returns us to the quiet, reflective state of Khamush in the final strophe – this is to allow ’the giver of speech to speak’.

Electra is a murderer in my view – says choreographer János Feledi

Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.

Create your inner images – on the basis of sounds! – interview with drummer Julian Sartorius

I’m playing the piece with recordings doing one part and me the other. I’m alone on stage, but I’m not playing alone – says drummer Julian Sartorius.

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