Norbert Káel: it was a part of Liszt’s rockstar image to be charming

Liszt Fest is a great opportunity for the Jazzical Trio to show how he was a modern composer who can still be relevant today.

Four premieres, one basic piece: old and new generations of the Eötvös Foundation

If a profession has its masters, “the wise old”, we can learn from them at any age. That is what current mentees of the Eötvös Foundation do.

New opera-musical version of The Master and Margarita – interview with director Vajk Szente

The music is exciting: classical opera on the one hand, rock music on the other, and thirdly, there are musical elements – says the director.

Wandering Jew, Weimar’s Dead, Fathers’ Crypt: songs by Liszt at the Liszt Fest

Thomas Hampson, one of the best baritones in the US, deals a lot with songs of the age of Romaticism. Coming soon at the Liszt Fest!

The storming organ playing of Martin Sturm at the Liszt Fest

The youngest professor at the Weimar Academy of Music will play the magnificent, richly coloured sounding organ of the St. Teresa of Avila Parish Church.

Viktor Tóth: there are no styles, only soulful our soulless music

I want to be a creative musician and a composer who always writes from his soul. I’m searching for the meaning of my presence in this world.

Gergely Agócs: we have no reason to hold grudge against the neighbouring countries

“I have collected more than 850 hours of folk music material during the last 35 years, and meanwhile I visited hundreds of places.”

Víkingur Ólafsson: Hungarians are everywhere in my career

I’m catching pianist Víkingur Ólafsson for an interview during his tour in Los Angeles to discuss his newest album and the related concert…

Friedrich Liechtenstein: sometimes irony is more precise than realism

I remember how lovely it felt with 15 to sleep on the Margaret Island under the stars – he recalls before coming to Budapest soon again.

Péter Kálmán: I won’t be the usual Don Giovanni but a wizard

Director András Hábetler and myself are childhood friends, so he tailored the character of Don Giovanni to match my personality.

Gabi Szűcs: the femme fatale has no success in finding happiness

Jazz singer Gabi Szűcs investigates in her concert what is really like to be labelled as femme fatale. Are these women better lovers than wives?

Jazz musicians need to be as open as the genre itself! – remembering János Gonda

He did so many things that it is almost impossible to imagine how it could be only one person’s life work.

Zubin Mehta’s long and adventurous life with the focus on four cities

“Once the applause faded, he didn’t need a cane anymore. On stage he was flying. And he easily took the whole large orchestra and his audience with him.”

The second Marsalis son speaks his mind about music, family, or society

Wynton Marsalis seems like the a true prototype of being a “musical second born” – both in terms of subversion and innovation.

Is she the best Carmen? Elīna Garanča between two worlds

According to reviewers, she is among the most authentic personifications of Carmen and an inevitable part of European opera life.

Budapest Wagner Days goes online again – good news for fans all around the world!

Budapest Wagner Days goes online for the second consecutive year already. This means that it can be watched from everywhere around the world!

The Concerto reveals a lot about an ill Bartók’s mental and physical state

Interview with dancer-choreographer Tamás Juronics and his artistic partners. How can you dance to Bartók’s Concerto? How do worlds meet?

The music of Bartók is my native language, says violinist Barnabás Kelemen

The Kelemen Quartet is back after three years of break! Consisting of two couples, they bring every violin quartet by Bartók to life now.

Music is not like a 100-metre dash – interview with Charlie Horváth

…And then, in the early summer of 2019, we were on the way home in the bus, and then I suddenly said: OK guys, let’s record an album!

Makám shows so many different faces with its music – interview with Zoltán Krulik

I love contemplative, meditative singing. Also, old Hungarian folk music was an important experience – explains the band leader.

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