A Barenboim family concert featuring Mozart
There are many ways to play Mozart, but for me one of the most authentic interpretations has always been the legendary Daniel Barenboim.
Wolfgang Amadeus Mozart
Víkingur Ólafsson: Hungarians are everywhere in my career
I’m catching pianist Víkingur Ólafsson for an interview during his tour in Los Angeles to discuss his newest album and the related concert…
Péter Kálmán: I won’t be the usual Don Giovanni but a wizard
Director András Hábetler and myself are childhood friends, so he tailored the character of Don Giovanni to match my personality.
Mozart’s music on a historically accurate instrument! – interview with pianist Mihály Berecz
It is much easier to play the pieces on the instrument they were originally written for – says the young pianist.
This could be Don Giovanni’s missing aria! – covid restrictions result in opera teaser
The concert will be true to the musical world and mood of the opera, and we can also make a good use of our imagination.
Bass-baritone Bryn Terfel comes to his Budapest concert with a rugby shirt and some honey
Bryn Terfel was the second artist to get the Queen’s Medal for Music, founded by Elizabeth II, as an approval for an extraordinary musical career.
#absurd #acrobatics #Alexander Vantournhout #Aneckxander #Axel Guérin #Belgium #catabatics #circus #dance acrobat #Daniil Kharms #dictatorship #group performance #magic #physical theatre #puppetry #Raphael #Red-Haired Men #redhead #resilience #Ruben Mardulier #Stalinism #suppression #totalitarian #Trafó #tragedy #Winston Reynolds #Wolfgang Amadeus Mozart
Can physical theatre and circus visualize totalitarian dictatorship? – Alexander Vantournhout and the Red-Haired Men
It will work out very well in Trafó to awake feelings with the mere method of looking at people – says Alexander Vantournhout.
Amazonas, carnivals, rainforests – a composer’s fabulous life in music
Heitor Villa-Lobos applies Johann Sebastian Bach’s characteristic harmonies and counterpoints to Brazilian folk music, and also honoures Mozart…
Human voice is the most wonderful prop for dance – choreographer Maurice Béjart’s thoughts on The Magic Flute
“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.
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