There should be no sacred cows in arts – interview with choreographer Roy Assaf
I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year – Roy Assaf recalls.
choreography
I told the dancers: we will be music, guys! – interview with Christos Papadopoulos
There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. ‘Opus’, performed in the Trafó.
Exploring the idea of the collective between utopia and instrumentalization
For “Coexist”, Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.
#Béla Bartók Concert Hall #CAFe Budapest #choreography #contemporary dance #contemporary music #Csaba Káel #dance #Electra #Ernő Dohnányi Symphonic Orchestra Budafok #Euripides #Gábor Hollerung #Greek mythology #János Feledi #László Sallai #Mad Max #Müpa #music #mythology #Orpheus #revenge #Richard Strauss #Roland Szentpáli
Electra is a murderer in my view – says choreographer János Feledi
Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.
L-E-V: a heart dancing in living love
Love Chapter 2 is about that kind of love that is always lacking something. A show by L-E-V Dance Company on May 24 in the Trafó.
Women and men on stage play roles, I went for the individual – interview with choreographer Andrea Mészöly
“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.
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