Best of 2021: Dora Endre’s list of movies I.

Ton Koopman comes with the mysterious Mass in B minor

Ambrose Musiyiwa on poetry by migrants and the obligations of governments

Kusturica brings a brutally awesome concert to the Müpa

Dóra Pétery: I had a strange feeling while practising the first movement

María Pagés: flamenco is a genre for a lifetime

David Fray will play Beethoven in Budapest after 7 years

Lina Cardoso Rodrigues: you need to find your inner silence and the melody in it

Bartók Spring comes with a Bosch exhibition and special premieres

Csontváry painting sets record starting price at auction

Duruflé – Bach – Szathmáry: hear the organ with 6,804 pipes!

László Kollár-Klemencz: I don’t want to be a retro concert musician

Levon Eskenian: Bartók got to Armenians only after the genocide

Lucrezia Borgia rules over life and death – says director Ferenc Anger

Lucie Horsch: the new piece is a result of a past encounter in Budapest

Lost his son, could never move on: an astonishing and tragic life

Here, Romanians, Hungarians and the Roma coexist peacefully – interview with Zsolt Juhász

The Sounds of Freedom are coming to be heard

Musical genius in Budapest: is Cory Henry the new Franz Liszt?

Franz Liszt: “the concert is me!” – Passionate rhapsodies on stage

Transporters didn’t need an update; rape is, unfortunately, an eternal topic

Norbert Káel: it was a part of Liszt’s rockstar image to be charming

Four premieres, one basic piece: old and new generations of the Eötvös Foundation

New opera-musical version of The Master and Margarita – interview with director Vajk Szente