Sergei Krylov from Witches’ Sabbath to a naughty folk song

Song of the Earth: Mahler’s wonderful message about eternity

What is the best music to fall asleep to?

Vengerov: the instrument teaches you to play, not the other way round

Sleepless: gloomy yet beautiful Péter Eötvös opera in the Müpa

Honorary Hungarian Uri Caine plays the Bartók Project with friends

Péter Eötvös: I ran away from Bartók’s works to avoid falling into repetition

Monsieur Bartók: The influence of Béla Bartók in contemporary jazz

We all use the falsetto register – interview with opera singer Anthony Roth Costanzo

Dániel Villányi: I pondered how my concert relates to the war

Endre Domonkos: An Economic History of Hungary from 1867

Dénes Várjon speaks beautifully about Bartók’s music

Ensemble Mini: club concerts if you don’t want to fight

Parade for the music of Boban Marković! – interview with Attila Egerházi

Exclusive Interview with Philippe Lesage: As Long As There’s Movement, There Is Hope

Reorganised Robert Schumann songs tell a romantic story

Chick Corea composed this work shortly before his death

It is Not a Man’s World, Jane Campion and The Power of the Dog

A Hero – Best Non-English Language Movie According to Dora Endre

Kornél Thomas: I’m gonna use Bernstein’s method

Crazy About Jazz – Erika Náray and her special guests

The Power of Music – an essay by Nóra Fehér

Smetana – love, intrigue, travelling circus, beer

What do Maria Mazzotta and Evelin Tóth have in common?

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