How to hold the fan if you want to express your love?
Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?
Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?
Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.
We are pleased to invite artists, arts managers and curators from all arts disciplinary backgrounds from 37 eligible countries to apply for the ArtsLink International Fellowships.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
He composed with sixteen already, but rejects the elitist attitude of the classical music scene and goes his own path – which includes a lot. The intriguing life story of Ólafur Arnalds with drumming, existential questions, robots, lost harmony and regained silence…
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
A compilation of ebook sites recommended by the Arthereartnow editorial.
“The design, journey and observations of our Solar System are more than just scientific and artistic profiling. They are about the entitlement of nature, and what we inherited as living, breathing and dreaming things.” (Jeff Mills)
“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.
This year’s program is characterized by five key topics: “Decolonizing Wor:l:ds,” “Nature Writing,” “The Art of Cooking,” “The Politics of Drugs” and “The Evolution of Human Culture”.
For beginner and advanced rebels, fans of classical music, popular music, even world music. Sharpen your ears!
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