We aim to impress fans of big musical emotions – interview with conductor Erki Pehk
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
To these driving rhythms and storytelling melodies, the quintet adds improvisations and orchestrations with various tones to fully realise their captivating power.
Following its highly successful premiere in Munich, Pathos Theater, the Bavarian capital’s largest independent company will bring their experimental Faust performance to CAFe Budapest Contemporary Arts Festival audiences.
Ever since Dean Brown completed his studies at the famous Berklee College of Music in Boston, he has always been the first name to call if a supergroup finds itself needing a jazz-rock guitarist…
The Sinfonietta Riga formed in 2006 with the intent of showcasing vibrant and rich Baltic contemporary music to the world. Their ideas and musical conceptualisations and endeavours have been rewarded with a Grammy Award, amonf others…
Have you ever thought how much could be expressed with the mere moving of a fan, putting it from one hand to another, touching with face, fingers or mouth?
Slowly I learned how to switch out my ankle, my walking also improved a lot, there was no practical reason anymore to continue dancing (it was obvious that I can’t be a great dancer anyway), but I just didn’t give up.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
He composed with sixteen already, but rejects the elitist attitude of the classical music scene and goes his own path – which includes a lot. The intriguing life story of Ólafur Arnalds with drumming, existential questions, robots, lost harmony and regained silence…
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
A compilation of ebook sites recommended by the Arthereartnow editorial.
“The design, journey and observations of our Solar System are more than just scientific and artistic profiling. They are about the entitlement of nature, and what we inherited as living, breathing and dreaming things.” (Jeff Mills)
“I did not attempt to slip the smallest personal attention, or added message, into an already perfect work; rather, I sought to listen to the score scrupulously (and lovingly), read the libretto and translate…” Maurice Béjart on staging The Magic Flute.
For beginner and advanced rebels, fans of classical music, popular music, even world music. Sharpen your ears!
You already saw the cathedral, the skeleton of the destroyed old one reaches a hand to the modern new one. The Christchurch was never restored, but the spire is still there. And this is the Holy Trinity…
“Living in the same village doesn’t mean us to hang out together around the clock. Rehearsing gives us good vibes, can’t be put into words how it feels to resonate, crying, grieving, laughing together, engulfed with sympathy comforting each other.” Renáta Báder and Fruzsina Háda speak about Live long, Regina!, an improvisational docudrama by the group SajátSzínház.
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
The International Choral Celebration, held in Budapest from May 18 to 21, shows the most beautiful and engaging face of choral music.
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