Fajgerné found the harmonious disharmony in her art

Kálmán Balogh and the cimbalom players of the future stir special emotions in our hearts

Christmas mood with a talented organist and an angelic choir

Drip Canon: Heraclitus meets tai chi

Rising Stars to feature a Hungarian young talent again

Old horror, live music: why to watch “silent” movies

Dóra Barta: I was pondering about time, whether it exists

György Orbán: my Requiem is a tribute to a childhood friendship

Szakcsi Jr: everyone will remember my father in a slightly different way

Lusine Grigoryan and the neverending Hungarian-Armenian dialogue

Gergő Borlai: Divided Freedom is a particularly shining jewel

The Unlikely Pilgrimage of Harold Fry: I Will Keep Walking and She Must Keep Living

Blood and Honey: Winnie the Pooh Goes Off the Rails

Energetic, vibrant, cool, and 50 years old – the Kronos Quartet

„Moonage Daydream” Review: „Don’t Waste a Day, Don’t Waste Any Minute”

„Don’t Look Now” Review: Happy 50th Anniversary to the Roeg Classic!

„The Pod Generation” Review: Giving Birth to a Hard Boiled Egg

As if hundred thousand ancestresses were present – interview with Irén Lovász

Why did Liszt never finish the opera Sardanapalo?

Liszt Fest programme announced at unusual card game

Let’s Zoom on Rome! Three must-see Italian concerts

A “faithless wife” burnt, her love beheaded: the brutality of old ballads

There is too much singing in opera, Debussy said

„Oppenheimer” Review: A Naive Genius and His Moral Quandaries

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close