Challenges and possibilities of lockdown for a contemporary composer – interview with Judit Varga

How did composers’ life change in this extraordinary situation? What kind of possibilities and challenges are waiting for them?

Forming a circle on stage will help at this extraordinary concert – interview with Áron Eredics from the band Söndörgő

“We do what we can to keep making music, but there won’t be any tours for a while” – band leader says. This brings them to the Müpa drive-in cinema soon…

No virus can take the community-building effect of music – interview with singer Lóránt Csorba

My realist self says that with precautions, concerts can be held in autumn – says Lóránt Csorba, frontman of the band Lóci játszik, about post-covid gigs.

At some point we need to be like kindergarten teachers – interview with conductor János Kovács

Even after 40 years on stage, János Kovács still has his doubts before every concert. Now he has to prove his talent in a pretty extraordinary setting…

There should be no sacred cows in arts – interview with choreographer Roy Assaf

I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year – Roy Assaf recalls.

I told the dancers: we will be music, guys! – interview with Christos Papadopoulos

There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. ‘Opus’, performed in the Trafó.

Sufi poets are humanist and ageless – interview with Persian singer Alireza Ghorbani

These poets are still quoted because they talk about the moral roots of humanity – says Alireza Ghorbani who will sing a bunch of their poems soon.

It’s easier to wait for Christmas with Bach’s music! – interview with conductor Marcus Creed

A wonderful concert that features festive and Christmas-related works by Bach. Two ensembles, five soloists – and their conductor, Marcus Creed.

Medical student in Pécs: Classical Chill Out enhances our student experience fundamentally

For beginners in the world of classical music, this is a good place to start – says international student Tuva Stranger on the Classical Chill Out concerts.

How Danyèl Waro from Réunion discovered folk music as a mean of fight against oppression

In the first twenty years of my career, playing maloya was something to fight for, not to live from – says Danyel Waro, the “proud bastard” of Réunion.

Silence in the place of sound – but what in the place of silence? Remembering Dezső Tandori

He created an own universe, went on his own path, and after his poetry arrived to collective consciousness, no one could think the same old ways anymore.

Some Favourites of the Erdődy Orchestra – interview with Zsolt Szefcsik

Innovative spirit, rediscovery of forgotten pieces, playing at unusual places, contributing to Polish-Hungarian siblinghood: this is the Erdődy Orchestra.

Can physical theatre and circus visualize totalitarian dictatorship? – Alexander Vantournhout and the Red-Haired Men

It will work out very well in Trafó to awake feelings with the mere method of looking at people – says Alexander Vantournhout.

Music that shows you how deep can silence be – interview with James Wood

Rumi always returns us to the quiet, reflective state of Khamush in the final strophe – this is to allow ’the giver of speech to speak’.

Electra is a murderer in my view – says choreographer János Feledi

Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.

Create your inner images – on the basis of sounds! – interview with drummer Julian Sartorius

I’m playing the piece with recordings doing one part and me the other. I’m alone on stage, but I’m not playing alone – says drummer Julian Sartorius.

In John Cage’s piece, the singer feels naked on stage – interview with opera singer Katalin Károlyi

Katalin Károlyi mezzosoprano will give the concerts Human Voice 2.1 and 2.2. The repertoire consists of three contemporary pieces of different kinds.

Did the Nazis put their hand on our arm forever? – director Oliver Zahn on the art history of the outstreched arm

The ‘outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general – says Oliver Zahn.

Japanese lady found alternative ways that led to Hungarian composer – interview with Ryoko Aoki

After the concert, Toshio Hosokawa introduced me to Peter. He knew that I am Noh singer, he said “Please sing my piece Harakiri”.

Pope Francis receives a print by Lajos Vajda from the Ferenczy Museum Center

A Remembrance Mass in the Saint Peter’s Basilica, and artworks by Szentendre artists showcasted in streets surrounding the Campo di Fiori.

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