An eternal mystery: Cécile McLorin Salvant lets her hoarse voice fly
Three years after her first Budapest concert, she is coming back as part of a duo with New Orleans pianist Sullivan Fortner.
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Some Favourites of the Erdődy Orchestra – interview with Zsolt Szefcsik
Innovative spirit, rediscovery of forgotten pieces, playing at unusual places, contributing to Polish-Hungarian siblinghood: this is the Erdődy Orchestra.
Minyo Szert brings form to life at the margins of the figural
Contemporary artist Minyo Szert’s creative process is a time-limited, analogue photographic performance in the presence of a live audience.
#absurd #acrobatics #Alexander Vantournhout #Aneckxander #Axel Guérin #Belgium #catabatics #circus #dance acrobat #Daniil Kharms #dictatorship #group performance #magic #physical theatre #puppetry #Raphael #Red-Haired Men #redhead #resilience #Ruben Mardulier #Stalinism #suppression #totalitarian #Trafó #tragedy #Winston Reynolds #Wolfgang Amadeus Mozart
Can physical theatre and circus visualize totalitarian dictatorship? – Alexander Vantournhout and the Red-Haired Men
It will work out very well in Trafó to awake feelings with the mere method of looking at people – says Alexander Vantournhout.
African percussionists invite you to a night you’ll never forget!
Singer Mbene Diatta Seck, talking drum master Modou Mbaye and dancer Fatou Wore Mboup are joined by legendary veteran characters from the Dakar scene.
Exploring the idea of the collective between utopia and instrumentalization
For “Coexist”, Hód, along with her company Hodworks, and Bremen based dance company Unusual Symptoms collaborate with each other for the first time.
Annunciation ~ A short story by Susan Anwin
I felt like the bottom of my world fell out. How was I supposed to break down the news to my parents? What was I supposed to tell them?
Child actors evoke the story of a horrendous child killer on Trafó’s stage
Rau uses the biography of the Belgium’s most notoriously shameful criminal to reflect on (re)presentation of human feelings on stage.
Music that shows you how deep can silence be – interview with James Wood
Rumi always returns us to the quiet, reflective state of Khamush in the final strophe – this is to allow ’the giver of speech to speak’.
#Béla Bartók Concert Hall #CAFe Budapest #choreography #contemporary dance #contemporary music #Csaba Káel #dance #Electra #Ernő Dohnányi Symphonic Orchestra Budafok #Euripides #Gábor Hollerung #Greek mythology #János Feledi #László Sallai #Mad Max #Müpa #music #mythology #Orpheus #revenge #Richard Strauss #Roland Szentpáli
Electra is a murderer in my view – says choreographer János Feledi
Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.
Create your inner images – on the basis of sounds! – interview with drummer Julian Sartorius
I’m playing the piece with recordings doing one part and me the other. I’m alone on stage, but I’m not playing alone – says drummer Julian Sartorius.
Angels fly to Budapest – Péter Eötvös’ opera for the first time in Hungary
The Budapest premiere will happen on the 10th of October as part of the CAFe Budapest Contemporary Arts Festival, together with the Neue Oper Wien.
In John Cage’s piece, the singer feels naked on stage – interview with opera singer Katalin Károlyi
Katalin Károlyi mezzosoprano will give the concerts Human Voice 2.1 and 2.2. The repertoire consists of three contemporary pieces of different kinds.